Adaptation, Allegory and the Archive: Contextualising Epistolary Narratives in Contemporary Portuguese Cinema

Epistolarity in cinema is commonly understood as a narrative device either fitting the so-called essay film, or resulting from filmic adaptation of literary works. A more nuanced understanding of the workings of this device is observed in films of disparate contemporary Portuguese filmmakers which...

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Main Author: Nuno Barradas Jorge
Format: Article
Language:English
Published: Ediciones Complutense 2019-11-01
Series:Área Abierta
Subjects:
Online Access:https://revistas.ucm.es/index.php/ARAB/article/view/65472
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author Nuno Barradas Jorge
author_facet Nuno Barradas Jorge
author_sort Nuno Barradas Jorge
collection DOAJ
description Epistolarity in cinema is commonly understood as a narrative device either fitting the so-called essay film, or resulting from filmic adaptation of literary works. A more nuanced understanding of the workings of this device is observed in films of disparate contemporary Portuguese filmmakers which adapt, rephrase and remediate letters. This article centres its attention on possible tendencies concerning epistolarity in this context, examining films that make use of the personal archive and epistolary voice, or that adapt letters to screen. It also examines filmic works that use the epistolary device to negotiate between emotional expression and historical materiality. Among others, this article discusses films such as Yama No Anata (Aya Koretzy, 2011), Correspondences (Rita Azevedo Gomes, 2016), Letters from War (Ivo M. Ferreira, 2016) and works directed by Pedro Costa and Miguel Gomes.
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spelling doaj.art-7a94ccbcd7344e6da17ede2bcdfd34fa2022-12-22T00:11:26ZengEdiciones ComplutenseÁrea Abierta1578-83932019-11-0119310.5209/arab.65472Adaptation, Allegory and the Archive: Contextualising Epistolary Narratives in Contemporary Portuguese CinemaNuno Barradas Jorge Epistolarity in cinema is commonly understood as a narrative device either fitting the so-called essay film, or resulting from filmic adaptation of literary works. A more nuanced understanding of the workings of this device is observed in films of disparate contemporary Portuguese filmmakers which adapt, rephrase and remediate letters. This article centres its attention on possible tendencies concerning epistolarity in this context, examining films that make use of the personal archive and epistolary voice, or that adapt letters to screen. It also examines filmic works that use the epistolary device to negotiate between emotional expression and historical materiality. Among others, this article discusses films such as Yama No Anata (Aya Koretzy, 2011), Correspondences (Rita Azevedo Gomes, 2016), Letters from War (Ivo M. Ferreira, 2016) and works directed by Pedro Costa and Miguel Gomes. https://revistas.ucm.es/index.php/ARAB/article/view/65472contemporary Portuguese cinemaepistolary formatfilm aestheticsdocufictionadaptationintertextuality
spellingShingle Nuno Barradas Jorge
Adaptation, Allegory and the Archive: Contextualising Epistolary Narratives in Contemporary Portuguese Cinema
Área Abierta
contemporary Portuguese cinema
epistolary format
film aesthetics
docufiction
adaptation
intertextuality
title Adaptation, Allegory and the Archive: Contextualising Epistolary Narratives in Contemporary Portuguese Cinema
title_full Adaptation, Allegory and the Archive: Contextualising Epistolary Narratives in Contemporary Portuguese Cinema
title_fullStr Adaptation, Allegory and the Archive: Contextualising Epistolary Narratives in Contemporary Portuguese Cinema
title_full_unstemmed Adaptation, Allegory and the Archive: Contextualising Epistolary Narratives in Contemporary Portuguese Cinema
title_short Adaptation, Allegory and the Archive: Contextualising Epistolary Narratives in Contemporary Portuguese Cinema
title_sort adaptation allegory and the archive contextualising epistolary narratives in contemporary portuguese cinema
topic contemporary Portuguese cinema
epistolary format
film aesthetics
docufiction
adaptation
intertextuality
url https://revistas.ucm.es/index.php/ARAB/article/view/65472
work_keys_str_mv AT nunobarradasjorge adaptationallegoryandthearchivecontextualisingepistolarynarrativesincontemporaryportuguesecinema