Popular music and producing collectivities: the challenges of audience research in contemporary musicology

In this paper I deal with the ways in which the audience functions as a means of producing collectivities. I define audience as a material body that is a carrier of affective potential in a certain time and space. Taking Yugoslav popular music as an example, i.e. the concerts of performers...

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Main Author: Petrov Ana
Format: Article
Language:English
Published: Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts 2015-01-01
Series:Muzikologija
Subjects:
Online Access:http://www.doiserbia.nb.rs/img/doi/1450-9814/2015/1450-98141518099P.pdf
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author Petrov Ana
author_facet Petrov Ana
author_sort Petrov Ana
collection DOAJ
description In this paper I deal with the ways in which the audience functions as a means of producing collectivities. I define audience as a material body that is a carrier of affective potential in a certain time and space. Taking Yugoslav popular music as an example, i.e. the concerts of performers from the territory of former Yugoslavia, I analyse two crucial issues: the audience at popular music concerts in Belgrade in the period after the dissolution of Yugoslavia, and the audience that is created virtually through social networks.
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spelling doaj.art-7ab211e80f974cc5babd367abaf18af12022-12-22T02:52:06ZengSerbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and ArtsMuzikologija1450-98142406-09762015-01-012015189911310.2298/MUZ1518099P1450-98141518099PPopular music and producing collectivities: the challenges of audience research in contemporary musicologyPetrov Ana0University of Banja Luka, Academy of Arts, Banja Luka, Republic of Srpska, Bosnia and HercegovinaIn this paper I deal with the ways in which the audience functions as a means of producing collectivities. I define audience as a material body that is a carrier of affective potential in a certain time and space. Taking Yugoslav popular music as an example, i.e. the concerts of performers from the territory of former Yugoslavia, I analyse two crucial issues: the audience at popular music concerts in Belgrade in the period after the dissolution of Yugoslavia, and the audience that is created virtually through social networks.http://www.doiserbia.nb.rs/img/doi/1450-9814/2015/1450-98141518099P.pdfaudienceYugoslav popular musiccollectivitiescontemporary musicology
spellingShingle Petrov Ana
Popular music and producing collectivities: the challenges of audience research in contemporary musicology
Muzikologija
audience
Yugoslav popular music
collectivities
contemporary musicology
title Popular music and producing collectivities: the challenges of audience research in contemporary musicology
title_full Popular music and producing collectivities: the challenges of audience research in contemporary musicology
title_fullStr Popular music and producing collectivities: the challenges of audience research in contemporary musicology
title_full_unstemmed Popular music and producing collectivities: the challenges of audience research in contemporary musicology
title_short Popular music and producing collectivities: the challenges of audience research in contemporary musicology
title_sort popular music and producing collectivities the challenges of audience research in contemporary musicology
topic audience
Yugoslav popular music
collectivities
contemporary musicology
url http://www.doiserbia.nb.rs/img/doi/1450-9814/2015/1450-98141518099P.pdf
work_keys_str_mv AT petrovana popularmusicandproducingcollectivitiesthechallengesofaudienceresearchincontemporarymusicology