Popular music and producing collectivities: the challenges of audience research in contemporary musicology
In this paper I deal with the ways in which the audience functions as a means of producing collectivities. I define audience as a material body that is a carrier of affective potential in a certain time and space. Taking Yugoslav popular music as an example, i.e. the concerts of performers...
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Format: | Article |
Language: | English |
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Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
2015-01-01
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Series: | Muzikologija |
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Online Access: | http://www.doiserbia.nb.rs/img/doi/1450-9814/2015/1450-98141518099P.pdf |
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author | Petrov Ana |
author_facet | Petrov Ana |
author_sort | Petrov Ana |
collection | DOAJ |
description | In this paper I deal with the ways in which the audience functions as a means
of producing collectivities. I define audience as a material body that is a
carrier of affective potential in a certain time and space. Taking Yugoslav
popular music as an example, i.e. the concerts of performers from the
territory of former Yugoslavia, I analyse two crucial issues: the audience at
popular music concerts in Belgrade in the period after the dissolution of
Yugoslavia, and the audience that is created virtually through social
networks. |
first_indexed | 2024-04-13T09:35:44Z |
format | Article |
id | doaj.art-7ab211e80f974cc5babd367abaf18af1 |
institution | Directory Open Access Journal |
issn | 1450-9814 2406-0976 |
language | English |
last_indexed | 2024-04-13T09:35:44Z |
publishDate | 2015-01-01 |
publisher | Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts |
record_format | Article |
series | Muzikologija |
spelling | doaj.art-7ab211e80f974cc5babd367abaf18af12022-12-22T02:52:06ZengSerbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and ArtsMuzikologija1450-98142406-09762015-01-012015189911310.2298/MUZ1518099P1450-98141518099PPopular music and producing collectivities: the challenges of audience research in contemporary musicologyPetrov Ana0University of Banja Luka, Academy of Arts, Banja Luka, Republic of Srpska, Bosnia and HercegovinaIn this paper I deal with the ways in which the audience functions as a means of producing collectivities. I define audience as a material body that is a carrier of affective potential in a certain time and space. Taking Yugoslav popular music as an example, i.e. the concerts of performers from the territory of former Yugoslavia, I analyse two crucial issues: the audience at popular music concerts in Belgrade in the period after the dissolution of Yugoslavia, and the audience that is created virtually through social networks.http://www.doiserbia.nb.rs/img/doi/1450-9814/2015/1450-98141518099P.pdfaudienceYugoslav popular musiccollectivitiescontemporary musicology |
spellingShingle | Petrov Ana Popular music and producing collectivities: the challenges of audience research in contemporary musicology Muzikologija audience Yugoslav popular music collectivities contemporary musicology |
title | Popular music and producing collectivities: the challenges of audience research in contemporary musicology |
title_full | Popular music and producing collectivities: the challenges of audience research in contemporary musicology |
title_fullStr | Popular music and producing collectivities: the challenges of audience research in contemporary musicology |
title_full_unstemmed | Popular music and producing collectivities: the challenges of audience research in contemporary musicology |
title_short | Popular music and producing collectivities: the challenges of audience research in contemporary musicology |
title_sort | popular music and producing collectivities the challenges of audience research in contemporary musicology |
topic | audience Yugoslav popular music collectivities contemporary musicology |
url | http://www.doiserbia.nb.rs/img/doi/1450-9814/2015/1450-98141518099P.pdf |
work_keys_str_mv | AT petrovana popularmusicandproducingcollectivitiesthechallengesofaudienceresearchincontemporarymusicology |