A Metaphor for Identities in Transition through Urbanization and Globalization: Tofu and One Hundred Surnames
The Chinese artist Chen Qiulin has been taking displacement and the resulting unrest in people’s identity as her persistent theme since the early 1990s. Focusing on a series of her works made since 2004 dealing explicitly with tofu and Chinese surnames, this paper examines her exploration of identit...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Finnish |
| Published: |
Society for Art History in Finland
2019-03-01
|
| Series: | Tahiti |
| Online Access: | https://tahiti.journal.fi/article/view/79909 |