The capture of time in the Babylonian writing by António Lobo Antunes

The conception of the novel Didn’t see you in Babylon yesterday, by António Lobo Antunes, subverts the classic models of narration and employs the use of resources as the multiples of the narrative points of view, which combine and reorder the testimony of characters on a continuous basis, making it...

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Main Author: Tatiana Prevedello
Format: Article
Language:Portuguese
Published: Universidade Federal Fluminense 2017-11-01
Series:Abril
Subjects:
Online Access:http://www.revistaabril.uff.br/index.php/revistaabril/article/view/402
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author Tatiana Prevedello
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author_sort Tatiana Prevedello
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description The conception of the novel Didn’t see you in Babylon yesterday, by António Lobo Antunes, subverts the classic models of narration and employs the use of resources as the multiples of the narrative points of view, which combine and reorder the testimony of characters on a continuous basis, making it impossible for the reader to rely on a single finished version of the facts. The elaboration of fictional time, in this perspective, although it is organized in a linear form, since the novel is structured in chapters which correspond to a specific time in the course of na indelible dawn, is operationalized, through the perception of the characters and mnemonic resources that use to disorganize your memories, the experience of eternity. The analysis of the temporal markers which, according to Ricoeur, are allied to the construction of an eternal and imperceptible time, constitutes our object of study, which turns to a writing that, with insistence, questions its own form, limits and purposes.
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spelling doaj.art-7b27f0213b80427aae63bab9cf8864472022-12-21T22:08:30ZporUniversidade Federal FluminenseAbril1984-20902017-11-01919294610.22409/abriluff.2017n19a402311The capture of time in the Babylonian writing by António Lobo AntunesTatiana Prevedello0Universidade Federal do Rio Grande do Sul - UFRGS - Instituto Federal Farroupilha - IFFarThe conception of the novel Didn’t see you in Babylon yesterday, by António Lobo Antunes, subverts the classic models of narration and employs the use of resources as the multiples of the narrative points of view, which combine and reorder the testimony of characters on a continuous basis, making it impossible for the reader to rely on a single finished version of the facts. The elaboration of fictional time, in this perspective, although it is organized in a linear form, since the novel is structured in chapters which correspond to a specific time in the course of na indelible dawn, is operationalized, through the perception of the characters and mnemonic resources that use to disorganize your memories, the experience of eternity. The analysis of the temporal markers which, according to Ricoeur, are allied to the construction of an eternal and imperceptible time, constitutes our object of study, which turns to a writing that, with insistence, questions its own form, limits and purposes.http://www.revistaabril.uff.br/index.php/revistaabril/article/view/402narrativa contemporâneapersonagensinstabilidade temporal.
spellingShingle Tatiana Prevedello
The capture of time in the Babylonian writing by António Lobo Antunes
Abril
narrativa contemporânea
personagens
instabilidade temporal.
title The capture of time in the Babylonian writing by António Lobo Antunes
title_full The capture of time in the Babylonian writing by António Lobo Antunes
title_fullStr The capture of time in the Babylonian writing by António Lobo Antunes
title_full_unstemmed The capture of time in the Babylonian writing by António Lobo Antunes
title_short The capture of time in the Babylonian writing by António Lobo Antunes
title_sort capture of time in the babylonian writing by antonio lobo antunes
topic narrativa contemporânea
personagens
instabilidade temporal.
url http://www.revistaabril.uff.br/index.php/revistaabril/article/view/402
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