Lacan’s three orders, the graphe complet and music in film:
This article engages with the Lacanian tradition of film theory in order to suggest some of the ways in which music in film may be understood to contribute significantly to subject identification in filmic experience. Two points are argued: 1) that Lacan’s distinction between the three orders - the...
| מחבר ראשי: | |
|---|---|
| פורמט: | Article |
| שפה: | English |
| יצא לאור: |
University of Johannesburg
2022-10-01
|
| סדרה: | Communicare |
| נושאים: | |
| גישה מקוונת: | https://journals.uj.ac.za/index.php/jcsa/article/view/1708 |