Il serpente come Messia. Rappresentazione alla rovescia del Paradiso nel teatro e nel cinema del XX secolo
This paper analyses the way Paradise appears in different Theatre or Film productions of the XXth century: a biblical epos by the Israelian director Rina Yerushalmi, a film that became a classic, Children of Paradise (Carné, Prévert, 1943), the last show of the Living Theater, Paradise now (1968), a...
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| Format: | Article |
| Language: | English |
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Milano University Press
2011-06-01
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| Series: | Altre Modernità |
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| Online Access: | https://riviste.unimi.it/index.php/AMonline/article/view/1171 |