L’anatomie du cheval aux XVIIIe et XIXe siècles : un outil pour mieux représenter le cheval

The horse’s anatomy in the eighteenth and nineteenth centuries; a tool for representing the horse. The pioneers of the anatomy of the horse were inspired by artistic works such as the horse of the Mattei Villa or the anatomical studies of George Stubbs. Subsequently, scientific knowledge inspired th...

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Main Author: Christophe Degueurce
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2015-11-01
Series:In Situ
Subjects:
Online Access:http://journals.openedition.org/insitu/12058
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author Christophe Degueurce
author_facet Christophe Degueurce
author_sort Christophe Degueurce
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description The horse’s anatomy in the eighteenth and nineteenth centuries; a tool for representing the horse. The pioneers of the anatomy of the horse were inspired by artistic works such as the horse of the Mattei Villa or the anatomical studies of George Stubbs. Subsequently, scientific knowledge inspired the artists. The approach of Antoine-François Vincent, who was both artist and anatomist, is evidence of the desire to create strong links between the two milieux, driven by the same intentions, namely to produce, breed or represent an animal that was as perfect as possible. The late eighteenth century was a particularly rich period that gave the artists of the nineteenth century the raw materials they would employ in their work.
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spelling doaj.art-7b944f9c7c144fc8b35be8cd22d2960d2022-12-22T02:42:02ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052015-11-012710.4000/insitu.12058L’anatomie du cheval aux XVIIIe et XIXe siècles : un outil pour mieux représenter le chevalChristophe DegueurceThe horse’s anatomy in the eighteenth and nineteenth centuries; a tool for representing the horse. The pioneers of the anatomy of the horse were inspired by artistic works such as the horse of the Mattei Villa or the anatomical studies of George Stubbs. Subsequently, scientific knowledge inspired the artists. The approach of Antoine-François Vincent, who was both artist and anatomist, is evidence of the desire to create strong links between the two milieux, driven by the same intentions, namely to produce, breed or represent an animal that was as perfect as possible. The late eighteenth century was a particularly rich period that gave the artists of the nineteenth century the raw materials they would employ in their work.http://journals.openedition.org/insitu/12058anatomyécorchéproportionshorse
spellingShingle Christophe Degueurce
L’anatomie du cheval aux XVIIIe et XIXe siècles : un outil pour mieux représenter le cheval
In Situ
anatomy
écorché
proportions
horse
title L’anatomie du cheval aux XVIIIe et XIXe siècles : un outil pour mieux représenter le cheval
title_full L’anatomie du cheval aux XVIIIe et XIXe siècles : un outil pour mieux représenter le cheval
title_fullStr L’anatomie du cheval aux XVIIIe et XIXe siècles : un outil pour mieux représenter le cheval
title_full_unstemmed L’anatomie du cheval aux XVIIIe et XIXe siècles : un outil pour mieux représenter le cheval
title_short L’anatomie du cheval aux XVIIIe et XIXe siècles : un outil pour mieux représenter le cheval
title_sort l anatomie du cheval aux xviiie et xixe siecles un outil pour mieux representer le cheval
topic anatomy
écorché
proportions
horse
url http://journals.openedition.org/insitu/12058
work_keys_str_mv AT christophedegueurce lanatomieduchevalauxxviiieetxixesieclesunoutilpourmieuxrepresenterlecheval