Pos(t)pornografía o Porno Queer en el cine de Albertina Carri. El cuerpo político y militante
This article addresses the analysis of the evolution occurring in Latin American feminist cinema with the short films Barbie también puede eStar triste (2002), Pets (2012) and the feature film -defined as lesbo-feminist porn- Las hijas del fuego (2018) by Argentine director Albertina Carri. This pro...
| Main Authors: | , , |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
University of Bologna
2022-12-01
|
| Series: | Confluenze |
| Subjects: | |
| Online Access: | https://confluenze.unibo.it/article/view/15979 |
| _version_ | 1797979109511397376 |
|---|---|
| author | Francisco A. Zurian Karina Perdomo Rodríguez Francisco-José García-Ramos |
| author_facet | Francisco A. Zurian Karina Perdomo Rodríguez Francisco-José García-Ramos |
| author_sort | Francisco A. Zurian |
| collection | DOAJ |
| description | This article addresses the analysis of the evolution occurring in Latin American feminist cinema with the short films Barbie también puede eStar triste (2002), Pets (2012) and the feature film -defined as lesbo-feminist porn- Las hijas del fuego (2018) by Argentine director Albertina Carri. This process traversed by Carri attempts to overcome what was sustained by feminist film theorist Laura Mulvey (1975) regarding the scopophilic gaze of men and the traditional sexual conception of women in conventional cinema and, specifically, in pornographic cinema. |
| first_indexed | 2024-04-11T05:33:48Z |
| format | Article |
| id | doaj.art-7b9f5954642848b399e2f077cd595743 |
| institution | Directory Open Access Journal |
| issn | 2036-0967 |
| language | Spanish |
| last_indexed | 2024-04-11T05:33:48Z |
| publishDate | 2022-12-01 |
| publisher | University of Bologna |
| record_format | Article |
| series | Confluenze |
| spelling | doaj.art-7b9f5954642848b399e2f077cd5957432022-12-22T15:48:52ZspaUniversity of BolognaConfluenze2036-09672022-12-0114233035010.6092/issn.2036-0967/1597914326Pos(t)pornografía o Porno Queer en el cine de Albertina Carri. El cuerpo político y militanteFrancisco A. Zurian0Karina Perdomo Rodríguez1Francisco-José García-Ramos2Universidad Complutense de MadridUniversidad Complutense de MadridUniversidad Complutense de MadridThis article addresses the analysis of the evolution occurring in Latin American feminist cinema with the short films Barbie también puede eStar triste (2002), Pets (2012) and the feature film -defined as lesbo-feminist porn- Las hijas del fuego (2018) by Argentine director Albertina Carri. This process traversed by Carri attempts to overcome what was sustained by feminist film theorist Laura Mulvey (1975) regarding the scopophilic gaze of men and the traditional sexual conception of women in conventional cinema and, specifically, in pornographic cinema.https://confluenze.unibo.it/article/view/15979bodypolitical bodypostpornographyqueer pornalbertina carri |
| spellingShingle | Francisco A. Zurian Karina Perdomo Rodríguez Francisco-José García-Ramos Pos(t)pornografía o Porno Queer en el cine de Albertina Carri. El cuerpo político y militante Confluenze body political body postpornography queer porn albertina carri |
| title | Pos(t)pornografía o Porno Queer en el cine de Albertina Carri. El cuerpo político y militante |
| title_full | Pos(t)pornografía o Porno Queer en el cine de Albertina Carri. El cuerpo político y militante |
| title_fullStr | Pos(t)pornografía o Porno Queer en el cine de Albertina Carri. El cuerpo político y militante |
| title_full_unstemmed | Pos(t)pornografía o Porno Queer en el cine de Albertina Carri. El cuerpo político y militante |
| title_short | Pos(t)pornografía o Porno Queer en el cine de Albertina Carri. El cuerpo político y militante |
| title_sort | pos t pornografia o porno queer en el cine de albertina carri el cuerpo politico y militante |
| topic | body political body postpornography queer porn albertina carri |
| url | https://confluenze.unibo.it/article/view/15979 |
| work_keys_str_mv | AT franciscoazurian postpornografiaopornoqueerenelcinedealbertinacarrielcuerpopoliticoymilitante AT karinaperdomorodriguez postpornografiaopornoqueerenelcinedealbertinacarrielcuerpopoliticoymilitante AT franciscojosegarciaramos postpornografiaopornoqueerenelcinedealbertinacarrielcuerpopoliticoymilitante |