Mexican B(order) movies en Tijuana: ironía como crítica a la hegemonía en las fotos de Fabio Cuttica
The intention of this work is to analyze the photographic reportage “Mexican (B)order movies” by Fabio Cuttica as a product of the imaginary about violence in Mexico. By means of a theoretical approach focusing on the use of the device of irony, we aim to understand the various strategies with which...
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| Format: | Article |
| Language: | Spanish |
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University of Bologna
2020-07-01
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| Series: | Confluenze |
| Subjects: | |
| Online Access: | https://confluenze.unibo.it/article/view/11331 |
| _version_ | 1818971791782051840 |
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| author | Federico Mastrogiovanni |
| author_facet | Federico Mastrogiovanni |
| author_sort | Federico Mastrogiovanni |
| collection | DOAJ |
| description | The intention of this work is to analyze the photographic reportage “Mexican (B)order movies” by Fabio Cuttica as a product of the imaginary about violence in Mexico. By means of a theoretical approach focusing on the use of the device of irony, we aim to understand the various strategies with which a journalistic photo is able to build, deconstruct or criticize the imaginary about violence as well as the hegemonic discourses on narcoculture. |
| first_indexed | 2024-12-20T14:58:00Z |
| format | Article |
| id | doaj.art-7bca1c432f184dc2909e95c198fb8e35 |
| institution | Directory Open Access Journal |
| issn | 2036-0967 |
| language | Spanish |
| last_indexed | 2024-12-20T14:58:00Z |
| publishDate | 2020-07-01 |
| publisher | University of Bologna |
| record_format | Article |
| series | Confluenze |
| spelling | doaj.art-7bca1c432f184dc2909e95c198fb8e352022-12-21T19:36:45ZspaUniversity of BolognaConfluenze2036-09672020-07-01121568710.6092/issn.2036-0967/113319388Mexican B(order) movies en Tijuana: ironía como crítica a la hegemonía en las fotos de Fabio CutticaFederico Mastrogiovanni0Universidad IberoamericanaThe intention of this work is to analyze the photographic reportage “Mexican (B)order movies” by Fabio Cuttica as a product of the imaginary about violence in Mexico. By means of a theoretical approach focusing on the use of the device of irony, we aim to understand the various strategies with which a journalistic photo is able to build, deconstruct or criticize the imaginary about violence as well as the hegemonic discourses on narcoculture.https://confluenze.unibo.it/article/view/11331narcoculturafotoperiodismonarcopelículasb-moviesironía |
| spellingShingle | Federico Mastrogiovanni Mexican B(order) movies en Tijuana: ironía como crítica a la hegemonía en las fotos de Fabio Cuttica Confluenze narcocultura fotoperiodismo narcopelículas b-movies ironía |
| title | Mexican B(order) movies en Tijuana: ironía como crítica a la hegemonía en las fotos de Fabio Cuttica |
| title_full | Mexican B(order) movies en Tijuana: ironía como crítica a la hegemonía en las fotos de Fabio Cuttica |
| title_fullStr | Mexican B(order) movies en Tijuana: ironía como crítica a la hegemonía en las fotos de Fabio Cuttica |
| title_full_unstemmed | Mexican B(order) movies en Tijuana: ironía como crítica a la hegemonía en las fotos de Fabio Cuttica |
| title_short | Mexican B(order) movies en Tijuana: ironía como crítica a la hegemonía en las fotos de Fabio Cuttica |
| title_sort | mexican b order movies en tijuana ironia como critica a la hegemonia en las fotos de fabio cuttica |
| topic | narcocultura fotoperiodismo narcopelículas b-movies ironía |
| url | https://confluenze.unibo.it/article/view/11331 |
| work_keys_str_mv | AT federicomastrogiovanni mexicanbordermoviesentijuanaironiacomocriticaalahegemoniaenlasfotosdefabiocuttica |