Lives in Exchange: The Collaborative Video Tapes of Lynda Benglis and Robert Morris
In 1972 the artists Lynda Benglis and Robert Morris swapped videotapes made collaboratively in each other’s studios to create new works that negotiate their personal and professional relationship. This article argues that, taken together, these works question the common tropes of early video art, es...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Tate
2016-06-01
|
| Series: | Tate Papers |
| Subjects: | |
| Online Access: | http://www.tate.org.uk/research/publications/tate-papers/25/lives-in-exchange |
| _version_ | 1817978334189977600 |
|---|---|
| author | James Boaden |
| author_facet | James Boaden |
| author_sort | James Boaden |
| collection | DOAJ |
| description | In 1972 the artists Lynda Benglis and Robert Morris swapped videotapes made collaboratively in each other’s studios to create new works that negotiate their personal and professional relationship. This article argues that, taken together, these works question the common tropes of early video art, especially what art historian Rosalind Krauss called the ‘aesthetics of narcissism’, and point to the emergence of a form of fractured subjectivity borne from technological mediation. |
| first_indexed | 2024-04-13T22:27:52Z |
| format | Article |
| id | doaj.art-7c2d309adb274b28af73b4bb152df242 |
| institution | Directory Open Access Journal |
| issn | 1753-9854 |
| language | English |
| last_indexed | 2024-04-13T22:27:52Z |
| publishDate | 2016-06-01 |
| publisher | Tate |
| record_format | Article |
| series | Tate Papers |
| spelling | doaj.art-7c2d309adb274b28af73b4bb152df2422022-12-22T02:27:01ZengTateTate Papers1753-98542016-06-0125Lives in Exchange: The Collaborative Video Tapes of Lynda Benglis and Robert MorrisJames Boaden0University of YorkIn 1972 the artists Lynda Benglis and Robert Morris swapped videotapes made collaboratively in each other’s studios to create new works that negotiate their personal and professional relationship. This article argues that, taken together, these works question the common tropes of early video art, especially what art historian Rosalind Krauss called the ‘aesthetics of narcissism’, and point to the emergence of a form of fractured subjectivity borne from technological mediation.http://www.tate.org.uk/research/publications/tate-papers/25/lives-in-exchangeLynda BenglisRobert MorrisvideocollaborationRosalind Kraussaesthetics of narcissismtechnological mediation |
| spellingShingle | James Boaden Lives in Exchange: The Collaborative Video Tapes of Lynda Benglis and Robert Morris Tate Papers Lynda Benglis Robert Morris video collaboration Rosalind Krauss aesthetics of narcissism technological mediation |
| title | Lives in Exchange: The Collaborative Video Tapes of Lynda Benglis and Robert Morris |
| title_full | Lives in Exchange: The Collaborative Video Tapes of Lynda Benglis and Robert Morris |
| title_fullStr | Lives in Exchange: The Collaborative Video Tapes of Lynda Benglis and Robert Morris |
| title_full_unstemmed | Lives in Exchange: The Collaborative Video Tapes of Lynda Benglis and Robert Morris |
| title_short | Lives in Exchange: The Collaborative Video Tapes of Lynda Benglis and Robert Morris |
| title_sort | lives in exchange the collaborative video tapes of lynda benglis and robert morris |
| topic | Lynda Benglis Robert Morris video collaboration Rosalind Krauss aesthetics of narcissism technological mediation |
| url | http://www.tate.org.uk/research/publications/tate-papers/25/lives-in-exchange |
| work_keys_str_mv | AT jamesboaden livesinexchangethecollaborativevideotapesoflyndabenglisandrobertmorris |