The loudness of the “Unsaid”: Proverbs in selected African drama

The paper reflects on the use of proverbs as communicative constituents of African drama, how they are used by playwrights to establish themes, build context, enrich dialogue and develop characterisation. Many African paremiology scholars have studied proverbs as expressions of social realities and...

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Main Author: Gbemisola Adeoti
Format: Article
Language:English
Published: University of Ghana 2019-12-01
Series:Legon Journal of the Humanities
Subjects:
Online Access:https://dx.doi.org/10.4314/ljh.v30i1.4
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author Gbemisola Adeoti
author_facet Gbemisola Adeoti
author_sort Gbemisola Adeoti
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description The paper reflects on the use of proverbs as communicative constituents of African drama, how they are used by playwrights to establish themes, build context, enrich dialogue and develop characterisation. Many African paremiology scholars have studied proverbs as expressions of social realities and cultural practices as well as markers of identities (Amali, 2001; Akinyemi, 2007; Yankah, 2012; and Appiah-Adjei, 2014). The paper observes that in the bid to represent socio-cultural realities on stage, proverbs constitute a significant part of verbal resources in the dialogue of selected African plays. There is, therefore, the need to probe further the use of proverbs in African drama to reveal the “unsaid” elements of discourse and socio-cultural situations couched in proverbs with a view to enriching our understanding of the plays. To this end, textual illustrations are drawn from Soyinka’s Death and the King’s Horseman, Ola Rotimi’s Kurunmi, Ama Ata Aidoo’s Anowa and Mohammed ben-Abdallah’s The Trial of Mallam Ilya.
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spelling doaj.art-7c689e50d9f341c48cf19665baf8798a2022-12-21T20:03:22ZengUniversity of GhanaLegon Journal of the Humanities2458-746X2458-746X2019-12-0130182104https://dx.doi.org/10.4314/ljh.v30i1.4The loudness of the “Unsaid”: Proverbs in selected African dramaGbemisola Adeoti0Department of English, Obafemi Awolowo University - Ile Ife, NigeriaThe paper reflects on the use of proverbs as communicative constituents of African drama, how they are used by playwrights to establish themes, build context, enrich dialogue and develop characterisation. Many African paremiology scholars have studied proverbs as expressions of social realities and cultural practices as well as markers of identities (Amali, 2001; Akinyemi, 2007; Yankah, 2012; and Appiah-Adjei, 2014). The paper observes that in the bid to represent socio-cultural realities on stage, proverbs constitute a significant part of verbal resources in the dialogue of selected African plays. There is, therefore, the need to probe further the use of proverbs in African drama to reveal the “unsaid” elements of discourse and socio-cultural situations couched in proverbs with a view to enriching our understanding of the plays. To this end, textual illustrations are drawn from Soyinka’s Death and the King’s Horseman, Ola Rotimi’s Kurunmi, Ama Ata Aidoo’s Anowa and Mohammed ben-Abdallah’s The Trial of Mallam Ilya.https://dx.doi.org/10.4314/ljh.v30i1.4proverbsparemiologyafrican dramameaning“unsaid”
spellingShingle Gbemisola Adeoti
The loudness of the “Unsaid”: Proverbs in selected African drama
Legon Journal of the Humanities
proverbs
paremiology
african drama
meaning
“unsaid”
title The loudness of the “Unsaid”: Proverbs in selected African drama
title_full The loudness of the “Unsaid”: Proverbs in selected African drama
title_fullStr The loudness of the “Unsaid”: Proverbs in selected African drama
title_full_unstemmed The loudness of the “Unsaid”: Proverbs in selected African drama
title_short The loudness of the “Unsaid”: Proverbs in selected African drama
title_sort loudness of the unsaid proverbs in selected african drama
topic proverbs
paremiology
african drama
meaning
“unsaid”
url https://dx.doi.org/10.4314/ljh.v30i1.4
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