The ambivalent spectacle: A critical inquiry on Web 2.0 media and alienation

In this paper we test the limits of one of the more influential critical inquiries linking media to Marx’s notion of alienation: Guy Debord’s Society of the Spectacle as applied to web 2.0 media landscapes. While in need of qualification and historicization to interpret web 2.0 media, we argue that...

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Main Authors: Ailesha Lynn Ringer, Marco Briziarelli
Format: Article
Language:English
Published: New Proposals Publishing Society 2016-11-01
Series:New Proposals
Subjects:
Online Access:https://ojs.library.ubc.ca/index.php/newproposals/article/view/187652
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author Ailesha Lynn Ringer
Marco Briziarelli
author_facet Ailesha Lynn Ringer
Marco Briziarelli
author_sort Ailesha Lynn Ringer
collection DOAJ
description In this paper we test the limits of one of the more influential critical inquiries linking media to Marx’s notion of alienation: Guy Debord’s Society of the Spectacle as applied to web 2.0 media landscapes. While in need of qualification and historicization to interpret web 2.0 media, we argue that the idea of the Spectacle provides a useful holistic perspective capable of reconciling the ambivalent phenomena of alienation that can be found in this new context. Thereafter, by exploring how web 2.0 media practices are consistently tied to labor and value creation, we argue in favor of a materialist approach to media, which treats means of communication as a means of production. Furthermore, we contend that in the new media landscape, Debord’s Spectacle becomes a useful heuristic for understanding (new) mediation as alienation, what we term, ‘Spectacle 2.0.’
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spelling doaj.art-7c8feb90d144442588e10f9709ee35e22022-12-21T23:36:14ZengNew Proposals Publishing SocietyNew Proposals1715-67182016-11-0191The ambivalent spectacle: A critical inquiry on Web 2.0 media and alienationAilesha Lynn Ringer0Marco Briziarelli1University of New MexicoUniversity of New MexicoIn this paper we test the limits of one of the more influential critical inquiries linking media to Marx’s notion of alienation: Guy Debord’s Society of the Spectacle as applied to web 2.0 media landscapes. While in need of qualification and historicization to interpret web 2.0 media, we argue that the idea of the Spectacle provides a useful holistic perspective capable of reconciling the ambivalent phenomena of alienation that can be found in this new context. Thereafter, by exploring how web 2.0 media practices are consistently tied to labor and value creation, we argue in favor of a materialist approach to media, which treats means of communication as a means of production. Furthermore, we contend that in the new media landscape, Debord’s Spectacle becomes a useful heuristic for understanding (new) mediation as alienation, what we term, ‘Spectacle 2.0.’https://ojs.library.ubc.ca/index.php/newproposals/article/view/187652new mediaGuy DebordKarl Marxalienationspectacle
spellingShingle Ailesha Lynn Ringer
Marco Briziarelli
The ambivalent spectacle: A critical inquiry on Web 2.0 media and alienation
New Proposals
new media
Guy Debord
Karl Marx
alienation
spectacle
title The ambivalent spectacle: A critical inquiry on Web 2.0 media and alienation
title_full The ambivalent spectacle: A critical inquiry on Web 2.0 media and alienation
title_fullStr The ambivalent spectacle: A critical inquiry on Web 2.0 media and alienation
title_full_unstemmed The ambivalent spectacle: A critical inquiry on Web 2.0 media and alienation
title_short The ambivalent spectacle: A critical inquiry on Web 2.0 media and alienation
title_sort ambivalent spectacle a critical inquiry on web 2 0 media and alienation
topic new media
Guy Debord
Karl Marx
alienation
spectacle
url https://ojs.library.ubc.ca/index.php/newproposals/article/view/187652
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