Aida and the Empire of Emotions (Theodor W. Adorno, Edward Said, and Alexander Kluge)
This essay investigates how Theodor W. Adorno, Edward Said, and Alexander Kluge read Verdi’s opera Aida with respect to the theme of being buried alive, where being buried alive can occur not only to characters in an opera but, according to a discourse of fate, also to the opera itself. To write abo...
Main Author: | Lydia Goehr |
---|---|
Format: | Article |
Language: | English |
Published: |
Columbia University Libraries
2009-04-01
|
Series: | Current Musicology |
Online Access: | https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5154 |
Similar Items
-
Alexander Kluge y Theodor W. Adorno: Industria Cultural, Cine y Contraesferas Públicas
by: Eugenia Roldán -
On Negativity and Aesthetics: Kluge's Farewell to Adorno
by: Ricardo Samaniego de la Fuente
Published: (2022-12-01) -
A ressemantização do Fundamento em Theodor W. Adorno [The ressemantization of the foundation in Theodor W. Adorno]
by: Francisco Luciano Teixeira Filho
Published: (2017-08-01) -
A filosofia moral negativa de Theodor W. Adorno The negative moral philosophy of Theodor W. Adorno
by: Gerhard Schweppenhäuser
Published: (2003-08-01) -
Theodor W. Adorno e a dialética material da moral = Theodor W. Adorno and the material dialectic of morality
by: Alves Júnior, Douglas Garcia
Published: (2018-01-01)