Rethinking recognition in Muslim diasporic writing. From an “ethics of responsibility” in The Reluctant Fundamentalist to an “ethics of dispersion” in The Silent Minaret

This paper interrogates and complicates the definition of Muslims post-9/11 in terms of prescriptive recognition patterns, by examining two Muslim diasporic novels: South African author Ishtiyak Shukri’s The Silent Minaret (2005) and British-Pakistani novelist, Mohsin Hamid’s The Reluctant Fundament...

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Main Author: Naseem L. Aumeerally
Format: Article
Language:English
Published: Taylor & Francis Group 2017-01-01
Series:Cogent Arts & Humanities
Subjects:
Online Access:http://dx.doi.org/10.1080/23311983.2017.1386396
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author Naseem L. Aumeerally
author_facet Naseem L. Aumeerally
author_sort Naseem L. Aumeerally
collection DOAJ
description This paper interrogates and complicates the definition of Muslims post-9/11 in terms of prescriptive recognition patterns, by examining two Muslim diasporic novels: South African author Ishtiyak Shukri’s The Silent Minaret (2005) and British-Pakistani novelist, Mohsin Hamid’s The Reluctant Fundamentalist (2007). The “schemes of recognition” of Orientalism and multiculturalism are scrambled in both novels in order to challenge scripts which make Muslims “knowable”. Resistance to the injury of misrecognition after 9/11, framed by the device of the dramatic monologue in The Reluctant Fundamentalist, is formulated in terms of a classic writing-back strategy. However, Shukri departs from this defensive posture and binary structure by revisiting post-9/11 Muslim experiences via South African colonial and apartheid narratives of resistance. The inclusion of Muslim experiences emanating from the South and from Africa intrude upon the dominant imaginary of the Muslim diaspora. In The Reluctant Fundamentalist, the exceptionalism of Muslim experiences is unhinged by tying it to familiar Third-world nationalist struggles, enabling reflection on an ethics of responsibility. The Silent Minaret proposes a rethinking of diaspora in terms of an “ethics of dispersion” which informs the very structure of the novel, and explores multiple and more lateral promises of “relationality”.
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spelling doaj.art-7d6759ba8af64f318cc95c9cf5d114052022-12-21T23:02:06ZengTaylor & Francis GroupCogent Arts & Humanities2331-19832017-01-014110.1080/23311983.2017.13863961386396Rethinking recognition in Muslim diasporic writing. From an “ethics of responsibility” in The Reluctant Fundamentalist to an “ethics of dispersion” in The Silent MinaretNaseem L. Aumeerally0University of MauritiusThis paper interrogates and complicates the definition of Muslims post-9/11 in terms of prescriptive recognition patterns, by examining two Muslim diasporic novels: South African author Ishtiyak Shukri’s The Silent Minaret (2005) and British-Pakistani novelist, Mohsin Hamid’s The Reluctant Fundamentalist (2007). The “schemes of recognition” of Orientalism and multiculturalism are scrambled in both novels in order to challenge scripts which make Muslims “knowable”. Resistance to the injury of misrecognition after 9/11, framed by the device of the dramatic monologue in The Reluctant Fundamentalist, is formulated in terms of a classic writing-back strategy. However, Shukri departs from this defensive posture and binary structure by revisiting post-9/11 Muslim experiences via South African colonial and apartheid narratives of resistance. The inclusion of Muslim experiences emanating from the South and from Africa intrude upon the dominant imaginary of the Muslim diaspora. In The Reluctant Fundamentalist, the exceptionalism of Muslim experiences is unhinged by tying it to familiar Third-world nationalist struggles, enabling reflection on an ethics of responsibility. The Silent Minaret proposes a rethinking of diaspora in terms of an “ethics of dispersion” which informs the very structure of the novel, and explores multiple and more lateral promises of “relationality”.http://dx.doi.org/10.1080/23311983.2017.1386396muslim diasporic writingthe reluctant fundamentalistthe silent minaretrecognitionethics of responsibilitydispersion
spellingShingle Naseem L. Aumeerally
Rethinking recognition in Muslim diasporic writing. From an “ethics of responsibility” in The Reluctant Fundamentalist to an “ethics of dispersion” in The Silent Minaret
Cogent Arts & Humanities
muslim diasporic writing
the reluctant fundamentalist
the silent minaret
recognition
ethics of responsibility
dispersion
title Rethinking recognition in Muslim diasporic writing. From an “ethics of responsibility” in The Reluctant Fundamentalist to an “ethics of dispersion” in The Silent Minaret
title_full Rethinking recognition in Muslim diasporic writing. From an “ethics of responsibility” in The Reluctant Fundamentalist to an “ethics of dispersion” in The Silent Minaret
title_fullStr Rethinking recognition in Muslim diasporic writing. From an “ethics of responsibility” in The Reluctant Fundamentalist to an “ethics of dispersion” in The Silent Minaret
title_full_unstemmed Rethinking recognition in Muslim diasporic writing. From an “ethics of responsibility” in The Reluctant Fundamentalist to an “ethics of dispersion” in The Silent Minaret
title_short Rethinking recognition in Muslim diasporic writing. From an “ethics of responsibility” in The Reluctant Fundamentalist to an “ethics of dispersion” in The Silent Minaret
title_sort rethinking recognition in muslim diasporic writing from an ethics of responsibility in the reluctant fundamentalist to an ethics of dispersion in the silent minaret
topic muslim diasporic writing
the reluctant fundamentalist
the silent minaret
recognition
ethics of responsibility
dispersion
url http://dx.doi.org/10.1080/23311983.2017.1386396
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