Vanguardias mirando al Este y al Sur. Los festivales de música contemporánea en Cuba y su relación con la Europa Oriental y Latinoamérica (1959-1990)
Contemporary Cuban musical activity between 1959 and 1990 was characterized as one of the most prolific and attractive in its young history. The Contemporary Music Festivals of the Socialist Countries (1974-1985), the Contemporary Cuban Music Workshops (1978-1986), and the Contemporary Music Festiva...
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| Format: | Article |
| Language: | English |
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Pontificia Universidad Católica de Chile
2022-06-01
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| Series: | Resonancias |
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| Online Access: | https://resonancias.uc.cl/n-50/vanguardias-mirando-al-este-y-al-sur-los-festivales-de-musica-contemporanea-en-cuba-y-su-relacion-con-la-europa-oriental-y-latinoamerica-1959-1990/ |
| _version_ | 1797673250844573696 |
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| author | Iván César Morales Flores |
| author_facet | Iván César Morales Flores |
| author_sort | Iván César Morales Flores |
| collection | DOAJ |
| description | Contemporary Cuban musical activity between 1959 and 1990 was characterized as one of the most prolific and attractive in its young history. The Contemporary Music Festivals of the Socialist Countries (1974-1985), the Contemporary Cuban Music Workshops (1978-1986), and the Contemporary Music Festivals of Havana (1984-present) were the spaces par excellence for the promotion of new techniques, aesthetics, and contact with an expectant international and political musical avant-garde. Exchanges of Cuban music and culture with the outside world in the tense Cold War stage had, on the one hand, as its central axis the countries of the socialist bloc. On the other, it was an arduous communication channel with the nascent Latin American avant-gardes. This article aims to delve into the development of this ambivalent dynamic of aesthetic and ideological exchanges, which has become a counter-hegemonic and anti-imperialist “territory-network.” Its primary sources include a varied number of concert programs, brochures, recordings, correspondences, reviews, interviews, and articles located in periodicals of the time. |
| first_indexed | 2024-03-11T21:41:48Z |
| format | Article |
| id | doaj.art-7d9f3f3d86da4138a61cfd6ea28730b7 |
| institution | Directory Open Access Journal |
| issn | 0719-5702 0717-3474 |
| language | English |
| last_indexed | 2024-03-11T21:41:48Z |
| publishDate | 2022-06-01 |
| publisher | Pontificia Universidad Católica de Chile |
| record_format | Article |
| series | Resonancias |
| spelling | doaj.art-7d9f3f3d86da4138a61cfd6ea28730b72023-09-26T12:54:08ZengPontificia Universidad Católica de ChileResonancias0719-57020717-34742022-06-012650457510.7764/res.2022.50.4Vanguardias mirando al Este y al Sur. Los festivales de música contemporánea en Cuba y su relación con la Europa Oriental y Latinoamérica (1959-1990)Iván César Morales Flores0Universidad de OviedoContemporary Cuban musical activity between 1959 and 1990 was characterized as one of the most prolific and attractive in its young history. The Contemporary Music Festivals of the Socialist Countries (1974-1985), the Contemporary Cuban Music Workshops (1978-1986), and the Contemporary Music Festivals of Havana (1984-present) were the spaces par excellence for the promotion of new techniques, aesthetics, and contact with an expectant international and political musical avant-garde. Exchanges of Cuban music and culture with the outside world in the tense Cold War stage had, on the one hand, as its central axis the countries of the socialist bloc. On the other, it was an arduous communication channel with the nascent Latin American avant-gardes. This article aims to delve into the development of this ambivalent dynamic of aesthetic and ideological exchanges, which has become a counter-hegemonic and anti-imperialist “territory-network.” Its primary sources include a varied number of concert programs, brochures, recordings, correspondences, reviews, interviews, and articles located in periodicals of the time.https://resonancias.uc.cl/n-50/vanguardias-mirando-al-este-y-al-sur-los-festivales-de-musica-contemporanea-en-cuba-y-su-relacion-con-la-europa-oriental-y-latinoamerica-1959-1990/casa de las américascontemporary musiccubafestivalsmusic and politicsuneac |
| spellingShingle | Iván César Morales Flores Vanguardias mirando al Este y al Sur. Los festivales de música contemporánea en Cuba y su relación con la Europa Oriental y Latinoamérica (1959-1990) Resonancias casa de las américas contemporary music cuba festivals music and politics uneac |
| title | Vanguardias mirando al Este y al Sur. Los festivales de música contemporánea en Cuba y su relación con la Europa Oriental y Latinoamérica (1959-1990) |
| title_full | Vanguardias mirando al Este y al Sur. Los festivales de música contemporánea en Cuba y su relación con la Europa Oriental y Latinoamérica (1959-1990) |
| title_fullStr | Vanguardias mirando al Este y al Sur. Los festivales de música contemporánea en Cuba y su relación con la Europa Oriental y Latinoamérica (1959-1990) |
| title_full_unstemmed | Vanguardias mirando al Este y al Sur. Los festivales de música contemporánea en Cuba y su relación con la Europa Oriental y Latinoamérica (1959-1990) |
| title_short | Vanguardias mirando al Este y al Sur. Los festivales de música contemporánea en Cuba y su relación con la Europa Oriental y Latinoamérica (1959-1990) |
| title_sort | vanguardias mirando al este y al sur los festivales de musica contemporanea en cuba y su relacion con la europa oriental y latinoamerica 1959 1990 |
| topic | casa de las américas contemporary music cuba festivals music and politics uneac |
| url | https://resonancias.uc.cl/n-50/vanguardias-mirando-al-este-y-al-sur-los-festivales-de-musica-contemporanea-en-cuba-y-su-relacion-con-la-europa-oriental-y-latinoamerica-1959-1990/ |
| work_keys_str_mv | AT ivancesarmoralesflores vanguardiasmirandoalesteyalsurlosfestivalesdemusicacontemporaneaencubaysurelacionconlaeuropaorientalylatinoamerica19591990 |