Lo santo y lo visible en El Príncipe constante de Pedro Calderón de la Barca
Our focus is the analysis of the role of the visual within a remarkable comedia de santos, Calderon’s The Constant Prince. In this work, the playwright does not proffer to stage the supernatural elements in a sensational way, i.e. through the use of machines and artificial stage props, as is the cas...
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| Format: | Article |
| Language: | Spanish |
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Presses universitaires du Mirail
2020-12-01
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| Series: | Criticón |
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| Online Access: | http://journals.openedition.org/criticon/17388 |