Oralité écrite, littérale ou littéraire ? L’exemple des complaintes criminelles

The wider context of what we call « to the tune of » repertory, including different laments about events (Natural disasters, wrecks and damas in transports as train, plane, even bicycle…) shows the specificity of criminal laments, more clearly « edifying », despite or within the high-flown and somet...

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Bibliographic Details
Main Author: Claude Ribouillault
Format: Article
Language:English
Published: Criminocorpus
Series:Criminocorpus
Subjects:
Online Access:https://journals.openedition.org/criminocorpus/8375
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author Claude Ribouillault
author_facet Claude Ribouillault
author_sort Claude Ribouillault
collection DOAJ
description The wider context of what we call « to the tune of » repertory, including different laments about events (Natural disasters, wrecks and damas in transports as train, plane, even bicycle…) shows the specificity of criminal laments, more clearly « edifying », despite or within the high-flown and sometimes gauche use of the langage, the wish of employing a « good french », almost juridical, a particular rhetoric concerning the versification, the rhymes setting, the strategical telescoping between rhymes and melody (open/closed ; non conclusive even interrogative/conclusive)… These elements lock together, structuring links and differences, nearnesses and dissimilarities… The purpose, here, is to understand, through out the use of literary techniques, the work of the one who, betwixt the crime itself and the public, writes a song text wanting, pretty much skillfully, be moral and edifying.
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spelling doaj.art-7dff56f3ccf34982b8e91f586a956c492024-02-14T16:26:06ZengCriminocorpusCriminocorpus2108-69071710.4000/criminocorpus.8375Oralité écrite, littérale ou littéraire ? L’exemple des complaintes criminellesClaude RibouillaultThe wider context of what we call « to the tune of » repertory, including different laments about events (Natural disasters, wrecks and damas in transports as train, plane, even bicycle…) shows the specificity of criminal laments, more clearly « edifying », despite or within the high-flown and sometimes gauche use of the langage, the wish of employing a « good french », almost juridical, a particular rhetoric concerning the versification, the rhymes setting, the strategical telescoping between rhymes and melody (open/closed ; non conclusive even interrogative/conclusive)… These elements lock together, structuring links and differences, nearnesses and dissimilarities… The purpose, here, is to understand, through out the use of literary techniques, the work of the one who, betwixt the crime itself and the public, writes a song text wanting, pretty much skillfully, be moral and edifying.https://journals.openedition.org/criminocorpus/8375songcrimeComplaintrhetoricrhymesmetric
spellingShingle Claude Ribouillault
Oralité écrite, littérale ou littéraire ? L’exemple des complaintes criminelles
Criminocorpus
song
crime
Complaint
rhetoric
rhymes
metric
title Oralité écrite, littérale ou littéraire ? L’exemple des complaintes criminelles
title_full Oralité écrite, littérale ou littéraire ? L’exemple des complaintes criminelles
title_fullStr Oralité écrite, littérale ou littéraire ? L’exemple des complaintes criminelles
title_full_unstemmed Oralité écrite, littérale ou littéraire ? L’exemple des complaintes criminelles
title_short Oralité écrite, littérale ou littéraire ? L’exemple des complaintes criminelles
title_sort oralite ecrite litterale ou litteraire l exemple des complaintes criminelles
topic song
crime
Complaint
rhetoric
rhymes
metric
url https://journals.openedition.org/criminocorpus/8375
work_keys_str_mv AT clauderibouillault oraliteecritelitteraleoulitterairelexempledescomplaintescriminelles