Music performance anxiety: perceived causes, coping strategies and clinical profiles of Brazilian musicians

Abstract Introduction Music performance anxiety (MPA) is characterized by long-lasting, high intensity apprehension associated with performing music in public. At extreme levels, MPA can impair the career and quality of life. Our goal is to describe the clinical profile, perceived causes and copin...

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Main Authors: Ana Beatriz Burin, Ana Elisa Medeiros Barbar, Ivan Sérgio Nirenberg, Flávia de Lima Osório
Format: Article
Language:English
Published: Associação de Psiquiatria do Rio Grande do Sul 2020-01-01
Series:Trends in Psychiatry and Psychotherapy
Subjects:
Online Access:http://www.scielo.br/scielo.php?script=sci_arttext&pid=S2237-60892019000400348&tlng=en
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author Ana Beatriz Burin
Ana Elisa Medeiros Barbar
Ivan Sérgio Nirenberg
Flávia de Lima Osório
author_facet Ana Beatriz Burin
Ana Elisa Medeiros Barbar
Ivan Sérgio Nirenberg
Flávia de Lima Osório
author_sort Ana Beatriz Burin
collection DOAJ
description Abstract Introduction Music performance anxiety (MPA) is characterized by long-lasting, high intensity apprehension associated with performing music in public. At extreme levels, MPA can impair the career and quality of life. Our goal is to describe the clinical profile, perceived causes and coping strategies associated with MPA. Methods In this cross-sectional study, several self-assessment instruments were administered to a sample of 214 Brazilian musicians (68% male, 53.3% classical/46.7% popular musicians). Data were analyzed using descriptive and parametric statistics, based on the variables of musical training and level of MPA. Results Percentages of indicators of pathology were high (40% high MPA levels, 37% social anxiety, 12.5% depression, 13.5% alcohol abuse), and musicians with high MPA levels were the most affected. A wide variety of situations were associated with MPA, especially those related to the individual (pressure from self/concern about audience). Emotion-focused coping and internal resources were prominent among the resources used for coping with MPA (breathing, increased practice, familiarization with performance venue), although they were not always effective. It was relatively uncommon for musicians to seek specialized resources and treatments. Conclusions The results demonstrate the vulnerability of the targeted professional groups and the need for preventive strategies and behavioral, environmental, educational, and pharmacological interventions to change this scenario.
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spelling doaj.art-7e4b26aae0cb4774ad472ada4b50e6a12022-12-21T17:21:30ZengAssociação de Psiquiatria do Rio Grande do SulTrends in Psychiatry and Psychotherapy2238-00192020-01-0141434835710.1590/2237-6089-2018-0104Music performance anxiety: perceived causes, coping strategies and clinical profiles of Brazilian musiciansAna Beatriz BurinAna Elisa Medeiros BarbarIvan Sérgio NirenbergFlávia de Lima Osóriohttps://orcid.org/0000-0003-1396-555XAbstract Introduction Music performance anxiety (MPA) is characterized by long-lasting, high intensity apprehension associated with performing music in public. At extreme levels, MPA can impair the career and quality of life. Our goal is to describe the clinical profile, perceived causes and coping strategies associated with MPA. Methods In this cross-sectional study, several self-assessment instruments were administered to a sample of 214 Brazilian musicians (68% male, 53.3% classical/46.7% popular musicians). Data were analyzed using descriptive and parametric statistics, based on the variables of musical training and level of MPA. Results Percentages of indicators of pathology were high (40% high MPA levels, 37% social anxiety, 12.5% depression, 13.5% alcohol abuse), and musicians with high MPA levels were the most affected. A wide variety of situations were associated with MPA, especially those related to the individual (pressure from self/concern about audience). Emotion-focused coping and internal resources were prominent among the resources used for coping with MPA (breathing, increased practice, familiarization with performance venue), although they were not always effective. It was relatively uncommon for musicians to seek specialized resources and treatments. Conclusions The results demonstrate the vulnerability of the targeted professional groups and the need for preventive strategies and behavioral, environmental, educational, and pharmacological interventions to change this scenario.http://www.scielo.br/scielo.php?script=sci_arttext&pid=S2237-60892019000400348&tlng=enAnxietymusic performancecoping strategiesmusicianspsychopathology
spellingShingle Ana Beatriz Burin
Ana Elisa Medeiros Barbar
Ivan Sérgio Nirenberg
Flávia de Lima Osório
Music performance anxiety: perceived causes, coping strategies and clinical profiles of Brazilian musicians
Trends in Psychiatry and Psychotherapy
Anxiety
music performance
coping strategies
musicians
psychopathology
title Music performance anxiety: perceived causes, coping strategies and clinical profiles of Brazilian musicians
title_full Music performance anxiety: perceived causes, coping strategies and clinical profiles of Brazilian musicians
title_fullStr Music performance anxiety: perceived causes, coping strategies and clinical profiles of Brazilian musicians
title_full_unstemmed Music performance anxiety: perceived causes, coping strategies and clinical profiles of Brazilian musicians
title_short Music performance anxiety: perceived causes, coping strategies and clinical profiles of Brazilian musicians
title_sort music performance anxiety perceived causes coping strategies and clinical profiles of brazilian musicians
topic Anxiety
music performance
coping strategies
musicians
psychopathology
url http://www.scielo.br/scielo.php?script=sci_arttext&pid=S2237-60892019000400348&tlng=en
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