The Monad and the Cut in Samuel Beckett’s Endgame
Interruptions and false starts are omnipresent in Beckett’s work, revealing a similar preoccupation with the cut in psychoanalysis. And yet, Endgamewould seem to present a situation devoid of a structuring cut, with its characters lodged in a form of uniform monad devoid of any opening to the outsid...
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| Format: | Article |
| Language: | English |
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Boibhashik
2018-05-01
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| Series: | Sanglap: Journal of Literary and Cultural Inquiry |
| Online Access: | http://sanglap-journal.in/index.php/sanglap/article/view/165 |