“Silence is the Only Voice”: Le Lettere a Hawthorne di Herman Melville e la scoperta di una nuova voce femminile

The letters Herman Melville wrote to Nathaniel Hawthorne between January 1851 and December 1852 help us reconstruct the beginning of a new stage in his writing: after the semi-autobiographical sea-novels of adventures, Melville’s imagination switched to a different narrative structure, closer to the...

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Main Author: Paolo Simonetti
Format: Article
Language:English
Published: Firenze University Press 2020-12-01
Series:Lea
Subjects:
Online Access:https://oajournals.fupress.net/index.php/bsfm-lea/article/view/11930
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author Paolo Simonetti
author_facet Paolo Simonetti
author_sort Paolo Simonetti
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description The letters Herman Melville wrote to Nathaniel Hawthorne between January 1851 and December 1852 help us reconstruct the beginning of a new stage in his writing: after the semi-autobiographical sea-novels of adventures, Melville’s imagination switched to a different narrative structure, closer to the sentimental domestic settings of Hawthorne’s romances and more attentive to female characters. The influence Hawthorne and his wife Sophia Peabody had on Melville’s imagination during the period they corresponded, as well as the failed collaboration between the two writers on the “Agatha Letters”, brought Melville to the discovery of a new feminine voice and an original female character – the resilient woman – that will appear more frequently in the following part of his literary production.
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spelling doaj.art-7ebcdcb5faef4911920464a033d8ac5f2022-12-22T01:19:49ZengFirenze University PressLea1824-484X2020-12-019910.13128/lea-1824-484x-11930“Silence is the Only Voice”: Le Lettere a Hawthorne di Herman Melville e la scoperta di una nuova voce femminilePaolo Simonetti0Sapienza Università di RomaThe letters Herman Melville wrote to Nathaniel Hawthorne between January 1851 and December 1852 help us reconstruct the beginning of a new stage in his writing: after the semi-autobiographical sea-novels of adventures, Melville’s imagination switched to a different narrative structure, closer to the sentimental domestic settings of Hawthorne’s romances and more attentive to female characters. The influence Hawthorne and his wife Sophia Peabody had on Melville’s imagination during the period they corresponded, as well as the failed collaboration between the two writers on the “Agatha Letters”, brought Melville to the discovery of a new feminine voice and an original female character – the resilient woman – that will appear more frequently in the following part of his literary production.https://oajournals.fupress.net/index.php/bsfm-lea/article/view/11930Agatha; Hawthorne; Letters; Melville; Women
spellingShingle Paolo Simonetti
“Silence is the Only Voice”: Le Lettere a Hawthorne di Herman Melville e la scoperta di una nuova voce femminile
Lea
Agatha; Hawthorne; Letters; Melville; Women
title “Silence is the Only Voice”: Le Lettere a Hawthorne di Herman Melville e la scoperta di una nuova voce femminile
title_full “Silence is the Only Voice”: Le Lettere a Hawthorne di Herman Melville e la scoperta di una nuova voce femminile
title_fullStr “Silence is the Only Voice”: Le Lettere a Hawthorne di Herman Melville e la scoperta di una nuova voce femminile
title_full_unstemmed “Silence is the Only Voice”: Le Lettere a Hawthorne di Herman Melville e la scoperta di una nuova voce femminile
title_short “Silence is the Only Voice”: Le Lettere a Hawthorne di Herman Melville e la scoperta di una nuova voce femminile
title_sort silence is the only voice le lettere a hawthorne di herman melville e la scoperta di una nuova voce femminile
topic Agatha; Hawthorne; Letters; Melville; Women
url https://oajournals.fupress.net/index.php/bsfm-lea/article/view/11930
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