Kritische Anmerkungen zur Topographie der westgotischen Notation
In the scholarly literature, the Iberian manuscripts are normally divided into the northern tradition (with the characteristic upward position of the signs) and the southern one (with the horizontal ductus), the latter (starting only in the 11th century) being much younger. However, recent researche...
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| Format: | Article |
| Language: | deu |
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ZRC SAZU, Založba ZRC
2015-06-01
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| Series: | De Musica Disserenda |
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| Online Access: | https://ojs.zrc-sazu.si/dmd/article/view/2055 |
| _version_ | 1811342660146823168 |
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| author | Susana Zapke |
| author_facet | Susana Zapke |
| author_sort | Susana Zapke |
| collection | DOAJ |
| description | In the scholarly literature, the Iberian manuscripts are normally divided into the northern tradition (with the characteristic upward position of the signs) and the southern one (with the horizontal ductus), the latter (starting only in the 11th century) being much younger. However, recent researches based on a scrutinized examination of all Iberian sources, have thrown new light on the entire corpus of visigothic manuscripts. Considering the historical development, interrelationship between various ecclesiastical centres, as well as actual function of the notated manuscripts (or single neumatic insertions), the connections between the northern and southern tradition, as well as between single manuscripts appear to be more intricate and complex. |
| first_indexed | 2024-04-13T19:14:43Z |
| format | Article |
| id | doaj.art-7efa5313cce545f9980bacd81fc6677c |
| institution | Directory Open Access Journal |
| issn | 1854-3405 2536-2615 |
| language | deu |
| last_indexed | 2024-04-13T19:14:43Z |
| publishDate | 2015-06-01 |
| publisher | ZRC SAZU, Založba ZRC |
| record_format | Article |
| series | De Musica Disserenda |
| spelling | doaj.art-7efa5313cce545f9980bacd81fc6677c2022-12-22T02:33:42ZdeuZRC SAZU, Založba ZRCDe Musica Disserenda1854-34052536-26152015-06-0141617810.3986/dmd04.1.051645Kritische Anmerkungen zur Topographie der westgotischen NotationSusana Zapke0Fundación Banco Bilbao Vizcaya Argentaria, Madrid Universität für Musik und darstellende Kunst, WienIn the scholarly literature, the Iberian manuscripts are normally divided into the northern tradition (with the characteristic upward position of the signs) and the southern one (with the horizontal ductus), the latter (starting only in the 11th century) being much younger. However, recent researches based on a scrutinized examination of all Iberian sources, have thrown new light on the entire corpus of visigothic manuscripts. Considering the historical development, interrelationship between various ecclesiastical centres, as well as actual function of the notated manuscripts (or single neumatic insertions), the connections between the northern and southern tradition, as well as between single manuscripts appear to be more intricate and complex.https://ojs.zrc-sazu.si/dmd/article/view/2055visigothic ritevisigothic notationsemiotics of neumatic notation |
| spellingShingle | Susana Zapke Kritische Anmerkungen zur Topographie der westgotischen Notation De Musica Disserenda visigothic rite visigothic notation semiotics of neumatic notation |
| title | Kritische Anmerkungen zur Topographie der westgotischen Notation |
| title_full | Kritische Anmerkungen zur Topographie der westgotischen Notation |
| title_fullStr | Kritische Anmerkungen zur Topographie der westgotischen Notation |
| title_full_unstemmed | Kritische Anmerkungen zur Topographie der westgotischen Notation |
| title_short | Kritische Anmerkungen zur Topographie der westgotischen Notation |
| title_sort | kritische anmerkungen zur topographie der westgotischen notation |
| topic | visigothic rite visigothic notation semiotics of neumatic notation |
| url | https://ojs.zrc-sazu.si/dmd/article/view/2055 |
| work_keys_str_mv | AT susanazapke kritischeanmerkungenzurtopographiederwestgotischennotation |