A Star God Is Born: Chintaku Reifujin Talismans in Japanese Religions

This article examines a talismanic culture in Japanese religions through the case of the Chintaku reifu 鎮宅霊符 (“numinous talismans for the stabilization of residences”). Whereas previous scholarship viewed the set of seventy-two talismans as having an ancient Korean origin or connection to the Onmyōd...

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Main Author: Sujung Kim
Format: Article
Language:English
Published: MDPI AG 2022-05-01
Series:Religions
Subjects:
Online Access:https://www.mdpi.com/2077-1444/13/5/431
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author Sujung Kim
author_facet Sujung Kim
author_sort Sujung Kim
collection DOAJ
description This article examines a talismanic culture in Japanese religions through the case of the Chintaku reifu 鎮宅霊符 (“numinous talismans for the stabilization of residences”). Whereas previous scholarship viewed the set of seventy-two talismans as having an ancient Korean origin or connection to the Onmyōdō 陰陽道 tradition in Japan, my analysis of the talismans suggests that they arrived in Japan directly from Ming China around the late Muromachi period. Once introduced, the talismans were widely adopted across different religious traditions such as Buddhism, Shinto, Confucianism, and Shugendō under the name Chintaku reifujin 鎮宅霊符神 (the god of Chintaku reifu talismans) in Japan. Locating the talismans as a major force that shaped the medieval and early modern Japanese religious landscape, this article argues that the worship was not an extension or variation of Chinese Big Dipper worship but a sophisticated form of religious mosaic, which allowed an array of different forms of doctrinal thinking, cosmological knowledge, and ritual logics to coexist.
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spelling doaj.art-7f26725bac3b4516b8443a69fc4892042023-11-23T12:52:54ZengMDPI AGReligions2077-14442022-05-0113543110.3390/rel13050431A Star God Is Born: Chintaku Reifujin Talismans in Japanese ReligionsSujung Kim0Religious Studies, DePauw University, Greencastle, IN 46135, USAThis article examines a talismanic culture in Japanese religions through the case of the Chintaku reifu 鎮宅霊符 (“numinous talismans for the stabilization of residences”). Whereas previous scholarship viewed the set of seventy-two talismans as having an ancient Korean origin or connection to the Onmyōdō 陰陽道 tradition in Japan, my analysis of the talismans suggests that they arrived in Japan directly from Ming China around the late Muromachi period. Once introduced, the talismans were widely adopted across different religious traditions such as Buddhism, Shinto, Confucianism, and Shugendō under the name Chintaku reifujin 鎮宅霊符神 (the god of Chintaku reifu talismans) in Japan. Locating the talismans as a major force that shaped the medieval and early modern Japanese religious landscape, this article argues that the worship was not an extension or variation of Chinese Big Dipper worship but a sophisticated form of religious mosaic, which allowed an array of different forms of doctrinal thinking, cosmological knowledge, and ritual logics to coexist.https://www.mdpi.com/2077-1444/13/5/431Zhenzhai lingfuChintaku reifujintalismansthingmaterialityMyōken
spellingShingle Sujung Kim
A Star God Is Born: Chintaku Reifujin Talismans in Japanese Religions
Religions
Zhenzhai lingfu
Chintaku reifujin
talismans
thing
materiality
Myōken
title A Star God Is Born: Chintaku Reifujin Talismans in Japanese Religions
title_full A Star God Is Born: Chintaku Reifujin Talismans in Japanese Religions
title_fullStr A Star God Is Born: Chintaku Reifujin Talismans in Japanese Religions
title_full_unstemmed A Star God Is Born: Chintaku Reifujin Talismans in Japanese Religions
title_short A Star God Is Born: Chintaku Reifujin Talismans in Japanese Religions
title_sort star god is born chintaku reifujin talismans in japanese religions
topic Zhenzhai lingfu
Chintaku reifujin
talismans
thing
materiality
Myōken
url https://www.mdpi.com/2077-1444/13/5/431
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