Odin Teatret’s The Tree: Performing in the Interstices
This article aims to critically engage with Odin Teatret’s most recent addition to the repertoire, The Tree (2016), in order to investigate the ways in which Barba’s dramaturgical decision-making processes create a performance field that metaphorically comments on the status of the group today whils...
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Format: | Article |
Language: | English |
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Universidade Federal do Rio Grande do Sul
2019-07-01
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Series: | Revista Brasileira de Estudos da Presença |
Subjects: | |
Online Access: | https://seer.ufrgs.br/presenca/article/view/88116 |
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author | Patrick Campbell Jane Turner |
author_facet | Patrick Campbell Jane Turner |
author_sort | Patrick Campbell |
collection | DOAJ |
description | This article aims to critically engage with Odin Teatret’s most recent addition to the repertoire, The Tree (2016), in order to investigate the ways in which Barba’s dramaturgical decision-making processes create a performance field that metaphorically comments on the status of the group today whilst critiquing contemporary geo-politics. Importantly, we argue that notions of interculturalism – which have often been employed by scholars to critique the Odin’s work – do not address the full complexity of the embodied concatenation of the group’s practice, and we employ the term interstitial to more effectively articulate the complex space produced by the group’s training and performances. |
first_indexed | 2024-12-11T15:49:52Z |
format | Article |
id | doaj.art-7f2c048e37e347c5b34d9c35bf820917 |
institution | Directory Open Access Journal |
issn | 2237-2660 |
language | English |
last_indexed | 2024-12-11T15:49:52Z |
publishDate | 2019-07-01 |
publisher | Universidade Federal do Rio Grande do Sul |
record_format | Article |
series | Revista Brasileira de Estudos da Presença |
spelling | doaj.art-7f2c048e37e347c5b34d9c35bf8209172022-12-22T00:59:36ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602019-07-0193011740355Odin Teatret’s The Tree: Performing in the IntersticesPatrick Campbell0Jane Turner1Manchester Metropolitan UniversityManchester Metropolitan UniversityThis article aims to critically engage with Odin Teatret’s most recent addition to the repertoire, The Tree (2016), in order to investigate the ways in which Barba’s dramaturgical decision-making processes create a performance field that metaphorically comments on the status of the group today whilst critiquing contemporary geo-politics. Importantly, we argue that notions of interculturalism – which have often been employed by scholars to critique the Odin’s work – do not address the full complexity of the embodied concatenation of the group’s practice, and we employ the term interstitial to more effectively articulate the complex space produced by the group’s training and performances.https://seer.ufrgs.br/presenca/article/view/88116Odin TeatretinterstitialThe Treedramaturgyturbulence. |
spellingShingle | Patrick Campbell Jane Turner Odin Teatret’s The Tree: Performing in the Interstices Revista Brasileira de Estudos da Presença Odin Teatret interstitial The Tree dramaturgy turbulence. |
title | Odin Teatret’s The Tree: Performing in the Interstices |
title_full | Odin Teatret’s The Tree: Performing in the Interstices |
title_fullStr | Odin Teatret’s The Tree: Performing in the Interstices |
title_full_unstemmed | Odin Teatret’s The Tree: Performing in the Interstices |
title_short | Odin Teatret’s The Tree: Performing in the Interstices |
title_sort | odin teatret s the tree performing in the interstices |
topic | Odin Teatret interstitial The Tree dramaturgy turbulence. |
url | https://seer.ufrgs.br/presenca/article/view/88116 |
work_keys_str_mv | AT patrickcampbell odinteatretsthetreeperformingintheinterstices AT janeturner odinteatretsthetreeperformingintheinterstices |