Odin Teatret’s The Tree: Performing in the Interstices

This article aims to critically engage with Odin Teatret’s most recent addition to the repertoire, The Tree (2016), in order to investigate the ways in which Barba’s dramaturgical decision-making processes create a performance field that metaphorically comments on the status of the group today whils...

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Main Authors: Patrick Campbell, Jane Turner
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2019-07-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/presenca/article/view/88116
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author Patrick Campbell
Jane Turner
author_facet Patrick Campbell
Jane Turner
author_sort Patrick Campbell
collection DOAJ
description This article aims to critically engage with Odin Teatret’s most recent addition to the repertoire, The Tree (2016), in order to investigate the ways in which Barba’s dramaturgical decision-making processes create a performance field that metaphorically comments on the status of the group today whilst critiquing contemporary geo-politics. Importantly, we argue that notions of interculturalism – which have often been employed by scholars to critique the Odin’s work – do not address the full complexity of the embodied concatenation of the group’s practice, and we employ the term interstitial to more effectively articulate the complex space produced by the group’s training and performances.
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spelling doaj.art-7f2c048e37e347c5b34d9c35bf8209172022-12-22T00:59:36ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602019-07-0193011740355Odin Teatret’s The Tree: Performing in the IntersticesPatrick Campbell0Jane Turner1Manchester Metropolitan UniversityManchester Metropolitan UniversityThis article aims to critically engage with Odin Teatret’s most recent addition to the repertoire, The Tree (2016), in order to investigate the ways in which Barba’s dramaturgical decision-making processes create a performance field that metaphorically comments on the status of the group today whilst critiquing contemporary geo-politics. Importantly, we argue that notions of interculturalism – which have often been employed by scholars to critique the Odin’s work – do not address the full complexity of the embodied concatenation of the group’s practice, and we employ the term interstitial to more effectively articulate the complex space produced by the group’s training and performances.https://seer.ufrgs.br/presenca/article/view/88116Odin TeatretinterstitialThe Treedramaturgyturbulence.
spellingShingle Patrick Campbell
Jane Turner
Odin Teatret’s The Tree: Performing in the Interstices
Revista Brasileira de Estudos da Presença
Odin Teatret
interstitial
The Tree
dramaturgy
turbulence.
title Odin Teatret’s The Tree: Performing in the Interstices
title_full Odin Teatret’s The Tree: Performing in the Interstices
title_fullStr Odin Teatret’s The Tree: Performing in the Interstices
title_full_unstemmed Odin Teatret’s The Tree: Performing in the Interstices
title_short Odin Teatret’s The Tree: Performing in the Interstices
title_sort odin teatret s the tree performing in the interstices
topic Odin Teatret
interstitial
The Tree
dramaturgy
turbulence.
url https://seer.ufrgs.br/presenca/article/view/88116
work_keys_str_mv AT patrickcampbell odinteatretsthetreeperformingintheinterstices
AT janeturner odinteatretsthetreeperformingintheinterstices