Interpretación musical como investigación: una perspectiva desde la práctica interpretativa de música reciente para guitarra
The aim of this study is to make the case for the creative practice of performance of notated music as research. Discourses and problems on the relation between artistic practice and research are discussed, as originally posed in the UK and Europe, examining the particular issues of music performanc...
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| Format: | Article |
| Language: | English |
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Pontificia Universidad Católica de Chile
2020-11-01
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| Series: | Resonancias |
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| Online Access: | https://resonancias.uc.cl/n-47/interpretacion-musical-como-investigacion-una-perspectiva-desde-la-practica-interpretativa-de-musica-reciente-para-guitarra/ |
| _version_ | 1797649788142878720 |
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| author | Diego Castro Magas |
| author_facet | Diego Castro Magas |
| author_sort | Diego Castro Magas |
| collection | DOAJ |
| description | The aim of this study is to make the case for the creative practice of performance of notated music as research. Discourses and problems on the relation between artistic practice and research are discussed, as originally posed in the UK and Europe, examining the particular issues of music performance through current models. The role of music analysis is particularly considered, as well as the importance of embodied knowledge (also known as tacit knowledge) on these interpretive processes. These models are applied into the author’s own practice through two case studies from complex repertoire for solo guitar with pieces by Brian Ferneyhough and Wieland Hoban. The epistemological contribution of these models is assessed, as well as their impact upon sound as exemplified in a variety of multimedia files showcasing performances of the author as well as other performers. After claiming that the aim of practice-as-research is making explicit the tacit, the pertinence of the model here delineated is interrogated on these terms. |
| first_indexed | 2024-03-11T15:52:04Z |
| format | Article |
| id | doaj.art-7f4f9f9537b4454bb74505c731319b3c |
| institution | Directory Open Access Journal |
| issn | 0717-3474 0719-5702 |
| language | English |
| last_indexed | 2024-03-11T15:52:04Z |
| publishDate | 2020-11-01 |
| publisher | Pontificia Universidad Católica de Chile |
| record_format | Article |
| series | Resonancias |
| spelling | doaj.art-7f4f9f9537b4454bb74505c731319b3c2023-10-25T19:17:39ZengPontificia Universidad Católica de ChileResonancias0717-34740719-57022020-11-01244712314510.7764/res.2020.47.8Interpretación musical como investigación: una perspectiva desde la práctica interpretativa de música reciente para guitarraDiego Castro Magas0Instituto de Música, Pontificia Universidad Católica de ChileThe aim of this study is to make the case for the creative practice of performance of notated music as research. Discourses and problems on the relation between artistic practice and research are discussed, as originally posed in the UK and Europe, examining the particular issues of music performance through current models. The role of music analysis is particularly considered, as well as the importance of embodied knowledge (also known as tacit knowledge) on these interpretive processes. These models are applied into the author’s own practice through two case studies from complex repertoire for solo guitar with pieces by Brian Ferneyhough and Wieland Hoban. The epistemological contribution of these models is assessed, as well as their impact upon sound as exemplified in a variety of multimedia files showcasing performances of the author as well as other performers. After claiming that the aim of practice-as-research is making explicit the tacit, the pertinence of the model here delineated is interrogated on these terms.https://resonancias.uc.cl/n-47/interpretacion-musical-como-investigacion-una-perspectiva-desde-la-practica-interpretativa-de-musica-reciente-para-guitarra/practice-as-researchperformance-as-researchcomplex musicbrian ferneyhoughwieland hobanguitar |
| spellingShingle | Diego Castro Magas Interpretación musical como investigación: una perspectiva desde la práctica interpretativa de música reciente para guitarra Resonancias practice-as-research performance-as-research complex music brian ferneyhough wieland hoban guitar |
| title | Interpretación musical como investigación: una perspectiva desde la práctica interpretativa de música reciente para guitarra |
| title_full | Interpretación musical como investigación: una perspectiva desde la práctica interpretativa de música reciente para guitarra |
| title_fullStr | Interpretación musical como investigación: una perspectiva desde la práctica interpretativa de música reciente para guitarra |
| title_full_unstemmed | Interpretación musical como investigación: una perspectiva desde la práctica interpretativa de música reciente para guitarra |
| title_short | Interpretación musical como investigación: una perspectiva desde la práctica interpretativa de música reciente para guitarra |
| title_sort | interpretacion musical como investigacion una perspectiva desde la practica interpretativa de musica reciente para guitarra |
| topic | practice-as-research performance-as-research complex music brian ferneyhough wieland hoban guitar |
| url | https://resonancias.uc.cl/n-47/interpretacion-musical-como-investigacion-una-perspectiva-desde-la-practica-interpretativa-de-musica-reciente-para-guitarra/ |
| work_keys_str_mv | AT diegocastromagas interpretacionmusicalcomoinvestigacionunaperspectivadesdelapracticainterpretativademusicarecienteparaguitarra |