A Nameless Bride of Death: Jephthah’s Daughter in American Jewish Women’s Poetry

In the Hebrew Bible, Jephthah’s daughter has neither name nor heir. The biblical account (Judg. 11:30–40) is somber—a daughter due to be sacrificed because of her father’s rash vow. The theme has inspired numerous midrashim and over five hundred artistic works since the Renaissance. Traditionally ba...

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Main Author: Koplowitz-Breier Anat
Format: Article
Language:English
Published: De Gruyter 2020-01-01
Series:Open Theology
Subjects:
Online Access:https://doi.org/10.1515/opth-2020-0001
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author Koplowitz-Breier Anat
author_facet Koplowitz-Breier Anat
author_sort Koplowitz-Breier Anat
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description In the Hebrew Bible, Jephthah’s daughter has neither name nor heir. The biblical account (Judg. 11:30–40) is somber—a daughter due to be sacrificed because of her father’s rash vow. The theme has inspired numerous midrashim and over five hundred artistic works since the Renaissance. Traditionally barred from studying the Jewish canon as women, many Jewish feminists are now adopting the midrashicpoetry tradition as a way of vivifying the female characters in the Hebrew Bible. The five on which this article centers focus on Jephthah’s daughter, letting her tell her (side of the) story and imputing feelings and emotions to her. Although not giving her a name, they hereby commemorate her existence—and stake a claim for their own presence, autonomy, and active participation in tradition and society as Jewish women.
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spelling doaj.art-7fce49a294794a9a8ceaf9d20f41e6cf2022-12-21T18:35:30ZengDe GruyterOpen Theology2300-65792020-01-016111410.1515/opth-2020-0001opth-2020-0001A Nameless Bride of Death: Jephthah’s Daughter in American Jewish Women’s PoetryKoplowitz-Breier Anat0Department of Comparative Literature, Bar-Ilan University, Ramat Gan, IsraelIn the Hebrew Bible, Jephthah’s daughter has neither name nor heir. The biblical account (Judg. 11:30–40) is somber—a daughter due to be sacrificed because of her father’s rash vow. The theme has inspired numerous midrashim and over five hundred artistic works since the Renaissance. Traditionally barred from studying the Jewish canon as women, many Jewish feminists are now adopting the midrashicpoetry tradition as a way of vivifying the female characters in the Hebrew Bible. The five on which this article centers focus on Jephthah’s daughter, letting her tell her (side of the) story and imputing feelings and emotions to her. Although not giving her a name, they hereby commemorate her existence—and stake a claim for their own presence, autonomy, and active participation in tradition and society as Jewish women.https://doi.org/10.1515/opth-2020-0001jephthah’s daughteramerican jewish women’s poetrymidrashmidrashic poetrycontemporary poetry
spellingShingle Koplowitz-Breier Anat
A Nameless Bride of Death: Jephthah’s Daughter in American Jewish Women’s Poetry
Open Theology
jephthah’s daughter
american jewish women’s poetry
midrash
midrashic poetry
contemporary poetry
title A Nameless Bride of Death: Jephthah’s Daughter in American Jewish Women’s Poetry
title_full A Nameless Bride of Death: Jephthah’s Daughter in American Jewish Women’s Poetry
title_fullStr A Nameless Bride of Death: Jephthah’s Daughter in American Jewish Women’s Poetry
title_full_unstemmed A Nameless Bride of Death: Jephthah’s Daughter in American Jewish Women’s Poetry
title_short A Nameless Bride of Death: Jephthah’s Daughter in American Jewish Women’s Poetry
title_sort nameless bride of death jephthah s daughter in american jewish women s poetry
topic jephthah’s daughter
american jewish women’s poetry
midrash
midrashic poetry
contemporary poetry
url https://doi.org/10.1515/opth-2020-0001
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