Modernism and the sense of history
Modernism in the arts and literature is conventionally thought of as anti-traditional and therefore as anti-historical, in spite of the insistence by Eliot, Greenberg, Pound, and others of their of their interest in both archaic traditions and the redemption of what was best in ‘the past.’ Modern hi...
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Format: | Article |
Language: | English |
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Department of Art History, University of Birmingham
2016-12-01
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Series: | Journal of Art Historiography |
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Online Access: | https://arthistoriography.files.wordpress.com/2016/11/white.pdf |
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author | Hayden White |
author_facet | Hayden White |
author_sort | Hayden White |
collection | DOAJ |
description | Modernism in the arts and literature is conventionally thought of as anti-traditional and therefore as anti-historical, in spite of the insistence by Eliot, Greenberg, Pound, and others of their of their interest in both archaic traditions and the redemption of what was best in ‘the past.’ Modern historiographical theory distinguishes between ‘the past’ and that ‘history’ which is only a part of it. This essay exploits this distinction by seeking to identify the extent to which the first generation of modernist writers rejected ‘history’ as an impediment to a knowledge of ‘a past’ on which to base a reformation of a Western culture grown stagnant and desiccated as a result of ‘modernization.’ |
first_indexed | 2024-12-22T07:57:49Z |
format | Article |
id | doaj.art-8020a562e0f247f39585548cad5814d8 |
institution | Directory Open Access Journal |
issn | 2042-4752 |
language | English |
last_indexed | 2024-12-22T07:57:49Z |
publishDate | 2016-12-01 |
publisher | Department of Art History, University of Birmingham |
record_format | Article |
series | Journal of Art Historiography |
spelling | doaj.art-8020a562e0f247f39585548cad5814d82022-12-21T18:33:20ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522016-12-011515HW1Modernism and the sense of historyHayden White0Emeritus, University of CaliforniaModernism in the arts and literature is conventionally thought of as anti-traditional and therefore as anti-historical, in spite of the insistence by Eliot, Greenberg, Pound, and others of their of their interest in both archaic traditions and the redemption of what was best in ‘the past.’ Modern historiographical theory distinguishes between ‘the past’ and that ‘history’ which is only a part of it. This essay exploits this distinction by seeking to identify the extent to which the first generation of modernist writers rejected ‘history’ as an impediment to a knowledge of ‘a past’ on which to base a reformation of a Western culture grown stagnant and desiccated as a result of ‘modernization.’https://arthistoriography.files.wordpress.com/2016/11/white.pdfmodernismmodernizationhistorythe pasttradition |
spellingShingle | Hayden White Modernism and the sense of history Journal of Art Historiography modernism modernization history the past tradition |
title | Modernism and the sense of history |
title_full | Modernism and the sense of history |
title_fullStr | Modernism and the sense of history |
title_full_unstemmed | Modernism and the sense of history |
title_short | Modernism and the sense of history |
title_sort | modernism and the sense of history |
topic | modernism modernization history the past tradition |
url | https://arthistoriography.files.wordpress.com/2016/11/white.pdf |
work_keys_str_mv | AT haydenwhite modernismandthesenseofhistory |