Modernism and the sense of history

Modernism in the arts and literature is conventionally thought of as anti-traditional and therefore as anti-historical, in spite of the insistence by Eliot, Greenberg, Pound, and others of their of their interest in both archaic traditions and the redemption of what was best in ‘the past.’ Modern hi...

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Main Author: Hayden White
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2016-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2016/11/white.pdf
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author Hayden White
author_facet Hayden White
author_sort Hayden White
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description Modernism in the arts and literature is conventionally thought of as anti-traditional and therefore as anti-historical, in spite of the insistence by Eliot, Greenberg, Pound, and others of their of their interest in both archaic traditions and the redemption of what was best in ‘the past.’ Modern historiographical theory distinguishes between ‘the past’ and that ‘history’ which is only a part of it. This essay exploits this distinction by seeking to identify the extent to which the first generation of modernist writers rejected ‘history’ as an impediment to a knowledge of ‘a past’ on which to base a reformation of a Western culture grown stagnant and desiccated as a result of ‘modernization.’
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spelling doaj.art-8020a562e0f247f39585548cad5814d82022-12-21T18:33:20ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522016-12-011515HW1Modernism and the sense of historyHayden White0Emeritus, University of CaliforniaModernism in the arts and literature is conventionally thought of as anti-traditional and therefore as anti-historical, in spite of the insistence by Eliot, Greenberg, Pound, and others of their of their interest in both archaic traditions and the redemption of what was best in ‘the past.’ Modern historiographical theory distinguishes between ‘the past’ and that ‘history’ which is only a part of it. This essay exploits this distinction by seeking to identify the extent to which the first generation of modernist writers rejected ‘history’ as an impediment to a knowledge of ‘a past’ on which to base a reformation of a Western culture grown stagnant and desiccated as a result of ‘modernization.’https://arthistoriography.files.wordpress.com/2016/11/white.pdfmodernismmodernizationhistorythe pasttradition
spellingShingle Hayden White
Modernism and the sense of history
Journal of Art Historiography
modernism
modernization
history
the past
tradition
title Modernism and the sense of history
title_full Modernism and the sense of history
title_fullStr Modernism and the sense of history
title_full_unstemmed Modernism and the sense of history
title_short Modernism and the sense of history
title_sort modernism and the sense of history
topic modernism
modernization
history
the past
tradition
url https://arthistoriography.files.wordpress.com/2016/11/white.pdf
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