Del teatro experimental al nuevo teatro, 1959-1975*
The article advocates for a history of the theatre in Colombia, one that refrains from partisan tendencies and ideological complicity. Starting from a bibliographical revision of literature on Colombian theatre between the late 1950s and the present, the article criticizes the emphasis on aspects th...
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Format: | Article |
Language: | English |
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Universidad de los Andes
2004-02-01
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Series: | Revista de Estudios Sociales |
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Online Access: | http://res.uniandes.edu.co/view.php/347/1.php#** |
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author | Claudia Montilla V. |
author_facet | Claudia Montilla V. |
author_sort | Claudia Montilla V. |
collection | DOAJ |
description | The article advocates for a history of the theatre in Colombia, one that refrains from partisan tendencies and ideological complicity. Starting from a bibliographical revision of literature on Colombian theatre between the late 1950s and the present, the article criticizes the emphasis on aspects that ignore fundamental elements of the activities of Colombian theatrical modernity, TEC and La Candelaria. As opposed to most of the theoreticians and critics, who locate modernization in the 1970s and ascribe it to the rise of what is known as Nuevo Teatro (New Theatre), the author suggests that the true modernization of Colombian theatre begins with the generation of La Violencia, around the 1950s. |
first_indexed | 2024-12-21T06:49:48Z |
format | Article |
id | doaj.art-80c0fae8843147eb932b1a89610ee917 |
institution | Directory Open Access Journal |
issn | 0123-885X 1900-5180 |
language | English |
last_indexed | 2024-12-21T06:49:48Z |
publishDate | 2004-02-01 |
publisher | Universidad de los Andes |
record_format | Article |
series | Revista de Estudios Sociales |
spelling | doaj.art-80c0fae8843147eb932b1a89610ee9172022-12-21T19:12:30ZengUniversidad de los AndesRevista de Estudios Sociales0123-885X1900-51802004-02-01178697Del teatro experimental al nuevo teatro, 1959-1975*Claudia Montilla V.The article advocates for a history of the theatre in Colombia, one that refrains from partisan tendencies and ideological complicity. Starting from a bibliographical revision of literature on Colombian theatre between the late 1950s and the present, the article criticizes the emphasis on aspects that ignore fundamental elements of the activities of Colombian theatrical modernity, TEC and La Candelaria. As opposed to most of the theoreticians and critics, who locate modernization in the 1970s and ascribe it to the rise of what is known as Nuevo Teatro (New Theatre), the author suggests that the true modernization of Colombian theatre begins with the generation of La Violencia, around the 1950s.http://res.uniandes.edu.co/view.php/347/1.php#**Theatreexperimentationmodernitypoliticstheatrical criticism. |
spellingShingle | Claudia Montilla V. Del teatro experimental al nuevo teatro, 1959-1975* Revista de Estudios Sociales Theatre experimentation modernity politics theatrical criticism. |
title | Del teatro experimental al nuevo teatro, 1959-1975* |
title_full | Del teatro experimental al nuevo teatro, 1959-1975* |
title_fullStr | Del teatro experimental al nuevo teatro, 1959-1975* |
title_full_unstemmed | Del teatro experimental al nuevo teatro, 1959-1975* |
title_short | Del teatro experimental al nuevo teatro, 1959-1975* |
title_sort | del teatro experimental al nuevo teatro 1959 1975 |
topic | Theatre experimentation modernity politics theatrical criticism. |
url | http://res.uniandes.edu.co/view.php/347/1.php#** |
work_keys_str_mv | AT claudiamontillav delteatroexperimentalalnuevoteatro19591975 |