Renaissance Music Between Science and Art
This paper deals with the role of ancient music theory in Gioseffo Zarlino’s Istitutioni harmoniche and, within its framework, in particular with mathematical and physical considerations and their relevance to audible music. An outline of the treatise is followed by a presentation of Zarlino’s justi...
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| Format: | Article |
| Language: | deu |
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University of Ljubljana Press (Založba Univerze v Ljubljani)
2020-12-01
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| Series: | Muzikološki Zbornik |
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| Online Access: | https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/9796 |
| _version_ | 1797948935225999360 |
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| author | Nejc Sukljan |
| author_facet | Nejc Sukljan |
| author_sort | Nejc Sukljan |
| collection | DOAJ |
| description | This paper deals with the role of ancient music theory in Gioseffo Zarlino’s Istitutioni harmoniche and, within its framework, in particular with mathematical and physical considerations and their relevance to audible music. An outline of the treatise is followed by a presentation of Zarlino’s justification of music as scienza and arte. Finally, two case studies are presented on joining ancient theory with contemporary musical practice: the division of the interval and the system of the senario. |
| first_indexed | 2024-04-10T21:51:22Z |
| format | Article |
| id | doaj.art-812bb2122b1641788845a886e7636cb3 |
| institution | Directory Open Access Journal |
| issn | 0580-373X 2350-4242 |
| language | deu |
| last_indexed | 2024-04-10T21:51:22Z |
| publishDate | 2020-12-01 |
| publisher | University of Ljubljana Press (Založba Univerze v Ljubljani) |
| record_format | Article |
| series | Muzikološki Zbornik |
| spelling | doaj.art-812bb2122b1641788845a886e7636cb32023-01-18T12:56:57ZdeuUniversity of Ljubljana Press (Založba Univerze v Ljubljani)Muzikološki Zbornik0580-373X2350-42422020-12-0156218320610.4312/mz.56.2.183-2068526Renaissance Music Between Science and ArtNejc Sukljan0University of Ljubljana, Faculty of Arts, SloveniaThis paper deals with the role of ancient music theory in Gioseffo Zarlino’s Istitutioni harmoniche and, within its framework, in particular with mathematical and physical considerations and their relevance to audible music. An outline of the treatise is followed by a presentation of Zarlino’s justification of music as scienza and arte. Finally, two case studies are presented on joining ancient theory with contemporary musical practice: the division of the interval and the system of the senario.https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/9796gioseffo zarlinomusic theoryrenaissanceantiquitysenario |
| spellingShingle | Nejc Sukljan Renaissance Music Between Science and Art Muzikološki Zbornik gioseffo zarlino music theory renaissance antiquity senario |
| title | Renaissance Music Between Science and Art |
| title_full | Renaissance Music Between Science and Art |
| title_fullStr | Renaissance Music Between Science and Art |
| title_full_unstemmed | Renaissance Music Between Science and Art |
| title_short | Renaissance Music Between Science and Art |
| title_sort | renaissance music between science and art |
| topic | gioseffo zarlino music theory renaissance antiquity senario |
| url | https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/9796 |
| work_keys_str_mv | AT nejcsukljan renaissancemusicbetweenscienceandart |