Green, Gray and White. Nature and Architecture in the Maps of Catastro de Ensenada and the sketches of Diccionario Geográfico by Tomás López

<p>As opposed to the grey line that defines public and private space of cohabitation, and the colour white that takes us to marginal, unproductive or inaccessible spaces, we find in these images the colour green as an expression of that remote sensibility –almost magical– which links man with...

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Main Author: María José ORTEGA CHINCHILLA
Format: Article
Language:Spanish
Published: Universidad de Salamanca 2017-02-01
Series:Cuadernos Dieciochistas
Subjects:
Online Access:http://revistas.usal.es/index.php/1576-7914/article/view/15797
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author María José ORTEGA CHINCHILLA
author_facet María José ORTEGA CHINCHILLA
author_sort María José ORTEGA CHINCHILLA
collection DOAJ
description <p>As opposed to the grey line that defines public and private space of cohabitation, and the colour white that takes us to marginal, unproductive or inaccessible spaces, we find in these images the colour green as an expression of that remote sensibility –almost magical– which links man with nature. The study of the colour, lines and composition of the maps that appear in the <em>Respuestas Generales </em>of the <em>Catastro de Ensenada</em> and the sketches sent by the pastors of the different Spanish cities to the geographer Tomás López, in this article I analyse.</p>
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spelling doaj.art-813d4f3e07094763b401bc50aa2a76f02022-12-22T03:53:08ZspaUniversidad de SalamancaCuadernos Dieciochistas1576-79142341-19022017-02-0117014918510.14201/20161714918513995Green, Gray and White. Nature and Architecture in the Maps of Catastro de Ensenada and the sketches of Diccionario Geográfico by Tomás LópezMaría José ORTEGA CHINCHILLA0Universidade Nova de Lisboa-Universidade dos Açores<p>As opposed to the grey line that defines public and private space of cohabitation, and the colour white that takes us to marginal, unproductive or inaccessible spaces, we find in these images the colour green as an expression of that remote sensibility –almost magical– which links man with nature. The study of the colour, lines and composition of the maps that appear in the <em>Respuestas Generales </em>of the <em>Catastro de Ensenada</em> and the sketches sent by the pastors of the different Spanish cities to the geographer Tomás López, in this article I analyse.</p>http://revistas.usal.es/index.php/1576-7914/article/view/15797paisaje ruralpercepciónrepresentacióncatastro de ensenadatomás lópezsiglo xviii.
spellingShingle María José ORTEGA CHINCHILLA
Green, Gray and White. Nature and Architecture in the Maps of Catastro de Ensenada and the sketches of Diccionario Geográfico by Tomás López
Cuadernos Dieciochistas
paisaje rural
percepción
representación
catastro de ensenada
tomás lópez
siglo xviii.
title Green, Gray and White. Nature and Architecture in the Maps of Catastro de Ensenada and the sketches of Diccionario Geográfico by Tomás López
title_full Green, Gray and White. Nature and Architecture in the Maps of Catastro de Ensenada and the sketches of Diccionario Geográfico by Tomás López
title_fullStr Green, Gray and White. Nature and Architecture in the Maps of Catastro de Ensenada and the sketches of Diccionario Geográfico by Tomás López
title_full_unstemmed Green, Gray and White. Nature and Architecture in the Maps of Catastro de Ensenada and the sketches of Diccionario Geográfico by Tomás López
title_short Green, Gray and White. Nature and Architecture in the Maps of Catastro de Ensenada and the sketches of Diccionario Geográfico by Tomás López
title_sort green gray and white nature and architecture in the maps of catastro de ensenada and the sketches of diccionario geografico by tomas lopez
topic paisaje rural
percepción
representación
catastro de ensenada
tomás lópez
siglo xviii.
url http://revistas.usal.es/index.php/1576-7914/article/view/15797
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