Del cimarrón Esteban a la intelectual Georgina. Notas sobre la evolución del género testimonial negro en Cuba
Starting from a due reflection on Miguel Barnet’s Cimarrón as the first experiment on a testimony-novel – and considering the problems and contradictions of a cultural and political operation in which the witness-informant’s voice risks being overcome or at least misinterpreted by the author-transcr...
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| Format: | Article |
| Language: | English |
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Milano University Press
2011-11-01
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| Series: | Altre Modernità |
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| Online Access: | https://riviste.unimi.it/index.php/AMonline/article/view/1557 |
| Summary: | Starting from a due reflection on Miguel Barnet’s Cimarrón as the first experiment on a testimony-novel – and considering the problems and contradictions of a cultural and political operation in which the witness-informant’s voice risks being overcome or at least misinterpreted by the author-transcriber – this paper goes on to consider the evolution of the testimony genre in 1990s Cuba, where women of African descent often intervened by speaking or writing, and managed to impose their views autonomously. |
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| ISSN: | 2035-7680 |