Ex-centric Human and Natural Identities in Edna O’Brien’s <em>In the Forest</em>

Drawing on ecocriticism and mathematics, this essay investigates ex-centric natural and human identities in Edna O’Brien’s In the Forest (2002). The first part focuses on the ex-centricity of the three main characters – the forest, the murderer, and the female victim. They are depicted as being on...

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Main Author: Antonella Trombatore
Format: Article
Language:English
Published: Firenze University Press 2013-12-01
Series:Studi Irlandesi
Online Access:https://oajournals.fupress.net/index.php/bsfm-sijis/article/view/7192
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author Antonella Trombatore
author_facet Antonella Trombatore
author_sort Antonella Trombatore
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description Drawing on ecocriticism and mathematics, this essay investigates ex-centric natural and human identities in Edna O’Brien’s In the Forest (2002). The first part focuses on the ex-centricity of the three main characters – the forest, the murderer, and the female victim. They are depicted as being on the borderline of many disparaging identities. The second part deals with the two central episodes of the novel: a carni- valesque feast and the account of the murder taking place in the forest. The disorder caused by the suspension of reality in these two chapters not only displaces the three ex-centric identities from the borderline to the centre of the novel, but also maintains and reasserts their ex-centricity.
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spelling doaj.art-81ad66b83f4f413e8ca80fc08408b4242022-12-21T20:28:09ZengFirenze University PressStudi Irlandesi2239-39782013-12-013310.13128/SIJIS-2239-3978-1380411735Ex-centric Human and Natural Identities in Edna O’Brien’s <em>In the Forest</em>Antonella Trombatore0BSFM: Laboratorio editoriale OA (Responsabile)Drawing on ecocriticism and mathematics, this essay investigates ex-centric natural and human identities in Edna O’Brien’s In the Forest (2002). The first part focuses on the ex-centricity of the three main characters – the forest, the murderer, and the female victim. They are depicted as being on the borderline of many disparaging identities. The second part deals with the two central episodes of the novel: a carni- valesque feast and the account of the murder taking place in the forest. The disorder caused by the suspension of reality in these two chapters not only displaces the three ex-centric identities from the borderline to the centre of the novel, but also maintains and reasserts their ex-centricity.https://oajournals.fupress.net/index.php/bsfm-sijis/article/view/7192
spellingShingle Antonella Trombatore
Ex-centric Human and Natural Identities in Edna O’Brien’s <em>In the Forest</em>
Studi Irlandesi
title Ex-centric Human and Natural Identities in Edna O’Brien’s <em>In the Forest</em>
title_full Ex-centric Human and Natural Identities in Edna O’Brien’s <em>In the Forest</em>
title_fullStr Ex-centric Human and Natural Identities in Edna O’Brien’s <em>In the Forest</em>
title_full_unstemmed Ex-centric Human and Natural Identities in Edna O’Brien’s <em>In the Forest</em>
title_short Ex-centric Human and Natural Identities in Edna O’Brien’s <em>In the Forest</em>
title_sort ex centric human and natural identities in edna o brien s em in the forest em
url https://oajournals.fupress.net/index.php/bsfm-sijis/article/view/7192
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