Du vandalisme d’art comme stratégie de captation de l’attention

This article aims to contribute to the analysis and understanding of acts of vandalism perpetrated on works exhibited in art museums. In the context of a museum, it seems unlikely that detection and the consequences of tampering with a work of art can be avoided: what is it that prompts people to ta...

Full description

Bibliographic Details
Main Author: Anne Bessette
Format: Article
Language:English
Published: Université Catholique de Louvain 2023-10-01
Series:Recherches Sociologiques et Anthropologiques
Subjects:
Online Access:https://journals.openedition.org/rsa/5988
_version_ 1797314451617087488
author Anne Bessette
author_facet Anne Bessette
author_sort Anne Bessette
collection DOAJ
description This article aims to contribute to the analysis and understanding of acts of vandalism perpetrated on works exhibited in art museums. In the context of a museum, it seems unlikely that detection and the consequences of tampering with a work of art can be avoided: what is it that prompts people to take this risk? What drives these actions? The reactions their actions give rise to indicate that the perpetrators are hitting a nerve by attacking works of art in museums, artefacts invested with a special social status. It is particularly significant that acts of vandalism perpetrated against works exhibited in art museums are often perceived as senseless and irrational. The article will go on to question these representations on the one hand and, on the other, the disparities in social reactions generated by acts of art vandalism.
first_indexed 2024-03-08T02:47:19Z
format Article
id doaj.art-81c312e851a1472e81038c7d390e28a5
institution Directory Open Access Journal
issn 1782-1592
2033-7485
language English
last_indexed 2024-03-08T02:47:19Z
publishDate 2023-10-01
publisher Université Catholique de Louvain
record_format Article
series Recherches Sociologiques et Anthropologiques
spelling doaj.art-81c312e851a1472e81038c7d390e28a52024-02-13T13:18:30ZengUniversité Catholique de LouvainRecherches Sociologiques et Anthropologiques1782-15922033-74852023-10-01541699310.4000/rsa.5988Du vandalisme d’art comme stratégie de captation de l’attentionAnne BessetteThis article aims to contribute to the analysis and understanding of acts of vandalism perpetrated on works exhibited in art museums. In the context of a museum, it seems unlikely that detection and the consequences of tampering with a work of art can be avoided: what is it that prompts people to take this risk? What drives these actions? The reactions their actions give rise to indicate that the perpetrators are hitting a nerve by attacking works of art in museums, artefacts invested with a special social status. It is particularly significant that acts of vandalism perpetrated against works exhibited in art museums are often perceived as senseless and irrational. The article will go on to question these representations on the one hand and, on the other, the disparities in social reactions generated by acts of art vandalism.https://journals.openedition.org/rsa/5988artvandalismmuseumworksmedias
spellingShingle Anne Bessette
Du vandalisme d’art comme stratégie de captation de l’attention
Recherches Sociologiques et Anthropologiques
art
vandalism
museum
works
medias
title Du vandalisme d’art comme stratégie de captation de l’attention
title_full Du vandalisme d’art comme stratégie de captation de l’attention
title_fullStr Du vandalisme d’art comme stratégie de captation de l’attention
title_full_unstemmed Du vandalisme d’art comme stratégie de captation de l’attention
title_short Du vandalisme d’art comme stratégie de captation de l’attention
title_sort du vandalisme d art comme strategie de captation de l attention
topic art
vandalism
museum
works
medias
url https://journals.openedition.org/rsa/5988
work_keys_str_mv AT annebessette duvandalismedartcommestrategiedecaptationdelattention