Des antiquités égyptiennes au musée. Modèles, appropriations et constitution du champ de l’égyptologie dans la première moitié du xixe siècle, à travers l’exemple croisé du Louvre et du British Museum

This article focusses on the museum displays of Egyptian antiquities both in France and in the United Kingdom; the subject is addressed from the perspective of appropriation processes of models. This study begins with the 1808 opening of the Townley Gallery, first museum rooms fully-devoted to Ancie...

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Main Author: Juliette Tanré-Szewczyk
Format: Article
Language:fra
Published: École du Louvre 2017-10-01
Series:Les Cahiers de l'École du Louvre
Subjects:
Online Access:http://journals.openedition.org/cel/681
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author Juliette Tanré-Szewczyk
author_facet Juliette Tanré-Szewczyk
author_sort Juliette Tanré-Szewczyk
collection DOAJ
description This article focusses on the museum displays of Egyptian antiquities both in France and in the United Kingdom; the subject is addressed from the perspective of appropriation processes of models. This study begins with the 1808 opening of the Townley Gallery, first museum rooms fully-devoted to Ancient Egypt, in the British Museum, and ends with Samuel Birch, curator in charge of Egyptian antiquities in the BM from 1836 to 1885. It aims to compare the British’s and Louvre’s displays and to point out changes and new trends in the way Egyptian collections were regarded by the public and studied by the scholars. This study highlights that English and British models were scarcely likely to influence each other in the first half of the nineteenth-century; what Jean-François Champollion sets out for the Louvre seems to have been a singular experience which was not followed by obvious cases of appropriation.
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spelling doaj.art-81ea915d39e24115966b2d5f9fcb2dad2022-12-22T03:35:37ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2017-10-011110.4000/cel.681Des antiquités égyptiennes au musée. Modèles, appropriations et constitution du champ de l’égyptologie dans la première moitié du xixe siècle, à travers l’exemple croisé du Louvre et du British MuseumJuliette Tanré-SzewczykThis article focusses on the museum displays of Egyptian antiquities both in France and in the United Kingdom; the subject is addressed from the perspective of appropriation processes of models. This study begins with the 1808 opening of the Townley Gallery, first museum rooms fully-devoted to Ancient Egypt, in the British Museum, and ends with Samuel Birch, curator in charge of Egyptian antiquities in the BM from 1836 to 1885. It aims to compare the British’s and Louvre’s displays and to point out changes and new trends in the way Egyptian collections were regarded by the public and studied by the scholars. This study highlights that English and British models were scarcely likely to influence each other in the first half of the nineteenth-century; what Jean-François Champollion sets out for the Louvre seems to have been a singular experience which was not followed by obvious cases of appropriation.http://journals.openedition.org/cel/681Egyptian antiquitiesMusée du LouvreBritish MuseumJean-François ChampollionSamuel Birch
spellingShingle Juliette Tanré-Szewczyk
Des antiquités égyptiennes au musée. Modèles, appropriations et constitution du champ de l’égyptologie dans la première moitié du xixe siècle, à travers l’exemple croisé du Louvre et du British Museum
Les Cahiers de l'École du Louvre
Egyptian antiquities
Musée du Louvre
British Museum
Jean-François Champollion
Samuel Birch
title Des antiquités égyptiennes au musée. Modèles, appropriations et constitution du champ de l’égyptologie dans la première moitié du xixe siècle, à travers l’exemple croisé du Louvre et du British Museum
title_full Des antiquités égyptiennes au musée. Modèles, appropriations et constitution du champ de l’égyptologie dans la première moitié du xixe siècle, à travers l’exemple croisé du Louvre et du British Museum
title_fullStr Des antiquités égyptiennes au musée. Modèles, appropriations et constitution du champ de l’égyptologie dans la première moitié du xixe siècle, à travers l’exemple croisé du Louvre et du British Museum
title_full_unstemmed Des antiquités égyptiennes au musée. Modèles, appropriations et constitution du champ de l’égyptologie dans la première moitié du xixe siècle, à travers l’exemple croisé du Louvre et du British Museum
title_short Des antiquités égyptiennes au musée. Modèles, appropriations et constitution du champ de l’égyptologie dans la première moitié du xixe siècle, à travers l’exemple croisé du Louvre et du British Museum
title_sort des antiquites egyptiennes au musee modeles appropriations et constitution du champ de l egyptologie dans la premiere moitie du xixe siecle a travers l exemple croise du louvre et du british museum
topic Egyptian antiquities
Musée du Louvre
British Museum
Jean-François Champollion
Samuel Birch
url http://journals.openedition.org/cel/681
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