Interconnections between form and matter in twentieth-century Murano glass

The digitisation and cataloguing of the Seguso Vetri d’Arte archive –together with other archives of glass factories preserved in the Fondazione Giorgio Cini in Venice– has led to the analysis not only of the documents themselves, but also of the relationships between them. What emerges is the parti...

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Main Author: Irene Cazzaro
Format: Article
Language:English
Published: University of Bologna 2020-07-01
Series:img journal
Subjects:
Online Access:https://img-journal.unibo.it/article/view/11115
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author Irene Cazzaro
author_facet Irene Cazzaro
author_sort Irene Cazzaro
collection DOAJ
description The digitisation and cataloguing of the Seguso Vetri d’Arte archive –together with other archives of glass factories preserved in the Fondazione Giorgio Cini in Venice– has led to the analysis not only of the documents themselves, but also of the relationships between them. What emerges is the particular design process that gives shape to glass. We refer to the process for which the material is responsible, rather than to the intervention of a designer. The role of the designer –in constant cooperation with the glassmaker– remains nonetheless influential, but there are particular constraints to take into account. The research analyses the process that leads to the creation of an artefact through drawings and, consequently, some features of the production of hand-blown glass artefacts in some of the most famous glass factories in Murano during the 20th century, giving rise to considerations that are related both to artistic and scientific theories emerged in the same years.
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spelling doaj.art-81ef63db33d54c69bfd188b18e61ca572022-12-21T18:51:07ZengUniversity of Bolognaimg journal2724-24632020-07-012768510.6092/issn.2724-2463/111159481Interconnections between form and matter in twentieth-century Murano glassIrene Cazzaro0University of Bologna, Department of ArchitectureThe digitisation and cataloguing of the Seguso Vetri d’Arte archive –together with other archives of glass factories preserved in the Fondazione Giorgio Cini in Venice– has led to the analysis not only of the documents themselves, but also of the relationships between them. What emerges is the particular design process that gives shape to glass. We refer to the process for which the material is responsible, rather than to the intervention of a designer. The role of the designer –in constant cooperation with the glassmaker– remains nonetheless influential, but there are particular constraints to take into account. The research analyses the process that leads to the creation of an artefact through drawings and, consequently, some features of the production of hand-blown glass artefacts in some of the most famous glass factories in Murano during the 20th century, giving rise to considerations that are related both to artistic and scientific theories emerged in the same years.https://img-journal.unibo.it/article/view/11115glassbiomorphism morphologydrawingdigital humanities
spellingShingle Irene Cazzaro
Interconnections between form and matter in twentieth-century Murano glass
img journal
glass
biomorphism morphology
drawing
digital humanities
title Interconnections between form and matter in twentieth-century Murano glass
title_full Interconnections between form and matter in twentieth-century Murano glass
title_fullStr Interconnections between form and matter in twentieth-century Murano glass
title_full_unstemmed Interconnections between form and matter in twentieth-century Murano glass
title_short Interconnections between form and matter in twentieth-century Murano glass
title_sort interconnections between form and matter in twentieth century murano glass
topic glass
biomorphism morphology
drawing
digital humanities
url https://img-journal.unibo.it/article/view/11115
work_keys_str_mv AT irenecazzaro interconnectionsbetweenformandmatterintwentiethcenturymuranoglass