The Submerged, Post-Truth “Island of Happiness” in Michel Houellebecq’s <i>Extension du domaine de la lutte</i>

This article proposes a Debordian reading of Michel Houellebecq’s first work <i>Extension du domaine de la lutte</i> that would thrust him into the spotlight as France’s most popular and controversial writer. Specifically, this investigation demonstrates that Debord’s theories are a usef...

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Hlavní autor: Keith Moser
Médium: Článek
Jazyk:English
Vydáno: MDPI AG 2023-10-01
Edice:Humanities
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On-line přístup:https://www.mdpi.com/2076-0787/12/5/111
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author Keith Moser
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description This article proposes a Debordian reading of Michel Houellebecq’s first work <i>Extension du domaine de la lutte</i> that would thrust him into the spotlight as France’s most popular and controversial writer. Specifically, this investigation demonstrates that Debord’s theories are a useful lens from which to analyze Houellebecq’s harsh critique of late capitalism. Owing to a radical paradigm shift in the capitalist paradigm, Debord and Houellebecq posit that we live in a brave new world in which millions of individuals no longer have a frame of reference for distinguishing between commonplace reality and its simulation on a screen. On the informational battlefield where simulations of the good(s) life have proliferated themselves to the brink of replacing the real in the collective imagination of consumer citizens, they illustrate that the timeless search for happiness also seems to be even more fraught with peril in the 21st century.
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spelling doaj.art-81f8595dd1b441e4984d1398ab8f99e62023-11-16T10:30:08ZengMDPI AGHumanities2076-07872023-10-0112511110.3390/h12050111The Submerged, Post-Truth “Island of Happiness” in Michel Houellebecq’s <i>Extension du domaine de la lutte</i>Keith Moser0Department of Classical and Modern Languages and Literature, Mississippi State University, Starkville, MS 39762, USAThis article proposes a Debordian reading of Michel Houellebecq’s first work <i>Extension du domaine de la lutte</i> that would thrust him into the spotlight as France’s most popular and controversial writer. Specifically, this investigation demonstrates that Debord’s theories are a useful lens from which to analyze Houellebecq’s harsh critique of late capitalism. Owing to a radical paradigm shift in the capitalist paradigm, Debord and Houellebecq posit that we live in a brave new world in which millions of individuals no longer have a frame of reference for distinguishing between commonplace reality and its simulation on a screen. On the informational battlefield where simulations of the good(s) life have proliferated themselves to the brink of replacing the real in the collective imagination of consumer citizens, they illustrate that the timeless search for happiness also seems to be even more fraught with peril in the 21st century.https://www.mdpi.com/2076-0787/12/5/111Michel HouellebecqGuy Debordlate capitalismhyperrealitypostmodernism
spellingShingle Keith Moser
The Submerged, Post-Truth “Island of Happiness” in Michel Houellebecq’s <i>Extension du domaine de la lutte</i>
Humanities
Michel Houellebecq
Guy Debord
late capitalism
hyperreality
postmodernism
title The Submerged, Post-Truth “Island of Happiness” in Michel Houellebecq’s <i>Extension du domaine de la lutte</i>
title_full The Submerged, Post-Truth “Island of Happiness” in Michel Houellebecq’s <i>Extension du domaine de la lutte</i>
title_fullStr The Submerged, Post-Truth “Island of Happiness” in Michel Houellebecq’s <i>Extension du domaine de la lutte</i>
title_full_unstemmed The Submerged, Post-Truth “Island of Happiness” in Michel Houellebecq’s <i>Extension du domaine de la lutte</i>
title_short The Submerged, Post-Truth “Island of Happiness” in Michel Houellebecq’s <i>Extension du domaine de la lutte</i>
title_sort submerged post truth island of happiness in michel houellebecq s i extension du domaine de la lutte i
topic Michel Houellebecq
Guy Debord
late capitalism
hyperreality
postmodernism
url https://www.mdpi.com/2076-0787/12/5/111
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