Arte espacial e arquiteturas espaciais: explorando ligações

Space art is still not well known, either in artistic production or from the perspective of museums. From an analysis based on a literature review methodology, this article intends to critically reflect on the relationship between spatial art and spatial architectures. It analyses the connection bet...

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Main Author: Sandra Silva
Format: Article
Language:English
Published: Universidade de Évora
Series:Midas: Museus e Estudos Interdisciplinares
Subjects:
Online Access:https://journals.openedition.org/midas/3613
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author Sandra Silva
author_facet Sandra Silva
author_sort Sandra Silva
collection DOAJ
description Space art is still not well known, either in artistic production or from the perspective of museums. From an analysis based on a literature review methodology, this article intends to critically reflect on the relationship between spatial art and spatial architectures. It analyses the connection between two spatial architectural settings, exploring aspects of artistic display and the inhospitable extraplanetary condition. The first scenario is related to the International Space Station, a laboratory and housing architecture, which received the artistic projects Sojouner 2020 and Moon Gallery (2022). From Michel Foucault's heterotopia and heterochrony, we establish an interconnection based on the space-time relationship marked by transitivity and the potential transformation of biotechnological artistic works. The analysis of other works of critical content, considering Kevin Hetherington's concept of heterotopia, allowed us to perceive the International Space Station as a place where biopower operates along with its critique. The other scenario is hypothetical and refers to the futuristic art gallery architectures of the Tate in Space program (2000) of the Tate Modern. The possible interconnection was analysed from the theory of the five “atmospheres” (physical, geographical, sensory, social, and individual space) from the Book of Principles that artist Kristen Johannsen (2016) elaborated for artistic works to be sent into outer space. In this context, we demonstrate the connection between architectural features and “atmospheres”, evidenced by the analysis of psychosocial, spatiotemporal, artistic, and curatorial aspects that an extreme extraplanetary environment raises. The subject matter relevancy stems from the different environmental circumstances that imply different ways of exhibiting and communicating. Overall, this article expands on a scarcely studied phenomenon, allowing the development of future research avenues about other art exhibition spaces and their curatorial practices.
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spelling doaj.art-8217c1791e4c4d4fa5f043960c8cfde42024-02-13T13:54:45ZengUniversidade de ÉvoraMidas: Museus e Estudos Interdisciplinares2182-95431510.4000/midas.3613Arte espacial e arquiteturas espaciais: explorando ligaçõesSandra SilvaSpace art is still not well known, either in artistic production or from the perspective of museums. From an analysis based on a literature review methodology, this article intends to critically reflect on the relationship between spatial art and spatial architectures. It analyses the connection between two spatial architectural settings, exploring aspects of artistic display and the inhospitable extraplanetary condition. The first scenario is related to the International Space Station, a laboratory and housing architecture, which received the artistic projects Sojouner 2020 and Moon Gallery (2022). From Michel Foucault's heterotopia and heterochrony, we establish an interconnection based on the space-time relationship marked by transitivity and the potential transformation of biotechnological artistic works. The analysis of other works of critical content, considering Kevin Hetherington's concept of heterotopia, allowed us to perceive the International Space Station as a place where biopower operates along with its critique. The other scenario is hypothetical and refers to the futuristic art gallery architectures of the Tate in Space program (2000) of the Tate Modern. The possible interconnection was analysed from the theory of the five “atmospheres” (physical, geographical, sensory, social, and individual space) from the Book of Principles that artist Kristen Johannsen (2016) elaborated for artistic works to be sent into outer space. In this context, we demonstrate the connection between architectural features and “atmospheres”, evidenced by the analysis of psychosocial, spatiotemporal, artistic, and curatorial aspects that an extreme extraplanetary environment raises. The subject matter relevancy stems from the different environmental circumstances that imply different ways of exhibiting and communicating. Overall, this article expands on a scarcely studied phenomenon, allowing the development of future research avenues about other art exhibition spaces and their curatorial practices.https://journals.openedition.org/midas/3613contemporary artspacial artspace architetureTate in Spacecurating spacial art
spellingShingle Sandra Silva
Arte espacial e arquiteturas espaciais: explorando ligações
Midas: Museus e Estudos Interdisciplinares
contemporary art
spacial art
space architeture
Tate in Space
curating spacial art
title Arte espacial e arquiteturas espaciais: explorando ligações
title_full Arte espacial e arquiteturas espaciais: explorando ligações
title_fullStr Arte espacial e arquiteturas espaciais: explorando ligações
title_full_unstemmed Arte espacial e arquiteturas espaciais: explorando ligações
title_short Arte espacial e arquiteturas espaciais: explorando ligações
title_sort arte espacial e arquiteturas espaciais explorando ligacoes
topic contemporary art
spacial art
space architeture
Tate in Space
curating spacial art
url https://journals.openedition.org/midas/3613
work_keys_str_mv AT sandrasilva arteespacialearquiteturasespaciaisexplorandoligacoes