Atame: performing the dismantled mechanical body

This essay explores Brazilian digital author Wilton Azevedo’s work Atame: a angústia do precário in view of its multiple versions – as live performance, interactive DVD, and video-poem – and the possible implications of these different modes of operating. At the same time, I attempt to read the work...

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Bibliographic Details
Main Author: Otávio Guimarães Tavares
Format: Article
Language:Spanish
Published: Universidade Federal de Santa Catarina 2018-12-01
Series:Texto Digital
Subjects:
Online Access:https://periodicos.ufsc.br/index.php/textodigital/article/view/60102
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author Otávio Guimarães Tavares
author_facet Otávio Guimarães Tavares
author_sort Otávio Guimarães Tavares
collection DOAJ
description This essay explores Brazilian digital author Wilton Azevedo’s work Atame: a angústia do precário in view of its multiple versions – as live performance, interactive DVD, and video-poem – and the possible implications of these different modes of operating. At the same time, I attempt to read the work as marked by the character’s bodily fragmentation in a post breakup scenario, in which her dilacerated body becomes materially present to us by means of how we navigate through the work. What we have is thus a double articulation in which the multiple versions of the work and the character’s attempt to reconstitute a lost body are presented as invariably frustrated by a tension between human and machine which ties the character’s and the work’s final mode of being.
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spelling doaj.art-8274b28331d04e34af1111814e5128352022-12-21T19:44:02ZspaUniversidade Federal de Santa CatarinaTexto Digital1807-92882018-12-01142375410.5007/1807-9288.2018v14n2p3730101Atame: performing the dismantled mechanical bodyOtávio Guimarães Tavares0Universidade Federal do ParáThis essay explores Brazilian digital author Wilton Azevedo’s work Atame: a angústia do precário in view of its multiple versions – as live performance, interactive DVD, and video-poem – and the possible implications of these different modes of operating. At the same time, I attempt to read the work as marked by the character’s bodily fragmentation in a post breakup scenario, in which her dilacerated body becomes materially present to us by means of how we navigate through the work. What we have is thus a double articulation in which the multiple versions of the work and the character’s attempt to reconstitute a lost body are presented as invariably frustrated by a tension between human and machine which ties the character’s and the work’s final mode of being.https://periodicos.ufsc.br/index.php/textodigital/article/view/60102Wilton AzevedoAtamePerformanceAção
spellingShingle Otávio Guimarães Tavares
Atame: performing the dismantled mechanical body
Texto Digital
Wilton Azevedo
Atame
Performance
Ação
title Atame: performing the dismantled mechanical body
title_full Atame: performing the dismantled mechanical body
title_fullStr Atame: performing the dismantled mechanical body
title_full_unstemmed Atame: performing the dismantled mechanical body
title_short Atame: performing the dismantled mechanical body
title_sort atame performing the dismantled mechanical body
topic Wilton Azevedo
Atame
Performance
Ação
url https://periodicos.ufsc.br/index.php/textodigital/article/view/60102
work_keys_str_mv AT otavioguimaraestavares atameperformingthedismantledmechanicalbody