Atame: performing the dismantled mechanical body
This essay explores Brazilian digital author Wilton Azevedo’s work Atame: a angústia do precário in view of its multiple versions – as live performance, interactive DVD, and video-poem – and the possible implications of these different modes of operating. At the same time, I attempt to read the work...
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Format: | Article |
Language: | Spanish |
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Universidade Federal de Santa Catarina
2018-12-01
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Series: | Texto Digital |
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Online Access: | https://periodicos.ufsc.br/index.php/textodigital/article/view/60102 |
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author | Otávio Guimarães Tavares |
author_facet | Otávio Guimarães Tavares |
author_sort | Otávio Guimarães Tavares |
collection | DOAJ |
description | This essay explores Brazilian digital author Wilton Azevedo’s work Atame: a angústia do precário in view of its multiple versions – as live performance, interactive DVD, and video-poem – and the possible implications of these different modes of operating. At the same time, I attempt to read the work as marked by the character’s bodily fragmentation in a post breakup scenario, in which her dilacerated body becomes materially present to us by means of how we navigate through the work. What we have is thus a double articulation in which the multiple versions of the work and the character’s attempt to reconstitute a lost body are presented as invariably frustrated by a tension between human and machine which ties the character’s and the work’s final mode of being. |
first_indexed | 2024-12-20T10:16:53Z |
format | Article |
id | doaj.art-8274b28331d04e34af1111814e512835 |
institution | Directory Open Access Journal |
issn | 1807-9288 |
language | Spanish |
last_indexed | 2024-12-20T10:16:53Z |
publishDate | 2018-12-01 |
publisher | Universidade Federal de Santa Catarina |
record_format | Article |
series | Texto Digital |
spelling | doaj.art-8274b28331d04e34af1111814e5128352022-12-21T19:44:02ZspaUniversidade Federal de Santa CatarinaTexto Digital1807-92882018-12-01142375410.5007/1807-9288.2018v14n2p3730101Atame: performing the dismantled mechanical bodyOtávio Guimarães Tavares0Universidade Federal do ParáThis essay explores Brazilian digital author Wilton Azevedo’s work Atame: a angústia do precário in view of its multiple versions – as live performance, interactive DVD, and video-poem – and the possible implications of these different modes of operating. At the same time, I attempt to read the work as marked by the character’s bodily fragmentation in a post breakup scenario, in which her dilacerated body becomes materially present to us by means of how we navigate through the work. What we have is thus a double articulation in which the multiple versions of the work and the character’s attempt to reconstitute a lost body are presented as invariably frustrated by a tension between human and machine which ties the character’s and the work’s final mode of being.https://periodicos.ufsc.br/index.php/textodigital/article/view/60102Wilton AzevedoAtamePerformanceAção |
spellingShingle | Otávio Guimarães Tavares Atame: performing the dismantled mechanical body Texto Digital Wilton Azevedo Atame Performance Ação |
title | Atame: performing the dismantled mechanical body |
title_full | Atame: performing the dismantled mechanical body |
title_fullStr | Atame: performing the dismantled mechanical body |
title_full_unstemmed | Atame: performing the dismantled mechanical body |
title_short | Atame: performing the dismantled mechanical body |
title_sort | atame performing the dismantled mechanical body |
topic | Wilton Azevedo Atame Performance Ação |
url | https://periodicos.ufsc.br/index.php/textodigital/article/view/60102 |
work_keys_str_mv | AT otavioguimaraestavares atameperformingthedismantledmechanicalbody |