Virgilian fandom in the Renaissance

Considered as fan works, early modern homages to, derivations from, and continuations of classical texts can help contemporary readers better understand the past and potential future of fan fiction as a queer, emotional, and affectionate investment in the universe of a text. Demonstrating that Sir P...

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Main Author: Balaka Basu
Format: Article
Language:English
Published: Organization for Transformative Works 2016-03-01
Series:Transformative Works and Cultures
Subjects:
Online Access:http://journal.transformativeworks.org/index.php/twc/article/view/683/605
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author Balaka Basu
author_facet Balaka Basu
author_sort Balaka Basu
collection DOAJ
description Considered as fan works, early modern homages to, derivations from, and continuations of classical texts can help contemporary readers better understand the past and potential future of fan fiction as a queer, emotional, and affectionate investment in the universe of a text. Demonstrating that Sir Philip Sidney's queer, fractured Arcadia can be understood as fan fiction of Virgil's Eclogues shows how readers have always responded to the notion of beloved texts held in the creative commons with traditional fan practices such as subversive slash subtexts, inserted selves, feminine communities of reader-writers, and carefully orchestrated gift economies, whether in ancient Rome, Tudor England, or our own digital era.
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spelling doaj.art-8285998c15524a89a5060ceae69fe1842022-12-21T20:25:40ZengOrganization for Transformative WorksTransformative Works and Cultures1941-22581941-22582016-03-012110.3983/twc.2016.0683Virgilian fandom in the RenaissanceBalaka Basu0University of North Carolina, Charlotte, North Carolina, United StatesConsidered as fan works, early modern homages to, derivations from, and continuations of classical texts can help contemporary readers better understand the past and potential future of fan fiction as a queer, emotional, and affectionate investment in the universe of a text. Demonstrating that Sir Philip Sidney's queer, fractured Arcadia can be understood as fan fiction of Virgil's Eclogues shows how readers have always responded to the notion of beloved texts held in the creative commons with traditional fan practices such as subversive slash subtexts, inserted selves, feminine communities of reader-writers, and carefully orchestrated gift economies, whether in ancient Rome, Tudor England, or our own digital era.http://journal.transformativeworks.org/index.php/twc/article/view/683/605Affect theoryArcadiaCreative commonsEarly modern fan fictionQueer theorySir Philip SidneySlashVirgil
spellingShingle Balaka Basu
Virgilian fandom in the Renaissance
Transformative Works and Cultures
Affect theory
Arcadia
Creative commons
Early modern fan fiction
Queer theory
Sir Philip Sidney
Slash
Virgil
title Virgilian fandom in the Renaissance
title_full Virgilian fandom in the Renaissance
title_fullStr Virgilian fandom in the Renaissance
title_full_unstemmed Virgilian fandom in the Renaissance
title_short Virgilian fandom in the Renaissance
title_sort virgilian fandom in the renaissance
topic Affect theory
Arcadia
Creative commons
Early modern fan fiction
Queer theory
Sir Philip Sidney
Slash
Virgil
url http://journal.transformativeworks.org/index.php/twc/article/view/683/605
work_keys_str_mv AT balakabasu virgilianfandomintherenaissance