Actor-Subjects, their Voice, and their Relationship with the Mother Figure

This paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression. The empirical materials are narratives and interviews with professionals from the performing a...

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Main Authors: Simone Nogueira Rasslan, Rosa Maria Bueno Fischer (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil)
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2015-11-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/59705
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author Simone Nogueira Rasslan
Rosa Maria Bueno Fischer (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil)
author_facet Simone Nogueira Rasslan
Rosa Maria Bueno Fischer (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil)
author_sort Simone Nogueira Rasslan
collection DOAJ
description This paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression. The empirical materials are narratives and interviews with professionals from the performing arts, who execute the soundtracks of their live performances vocally and through the use of musical instruments. In this paper we analyze the predominant presence of the voice of the mother figure in the memories of actors-musicians. 
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spelling doaj.art-82bcd6dfdfd54981b095fbeda05904982022-12-22T01:59:54ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602015-11-0161Actor-Subjects, their Voice, and their Relationship with the Mother FigureSimone Nogueira Rasslan0Rosa Maria Bueno Fischer (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil)1UFRGSUFRGS This paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression. The empirical materials are narratives and interviews with professionals from the performing arts, who execute the soundtracks of their live performances vocally and through the use of musical instruments. In this paper we analyze the predominant presence of the voice of the mother figure in the memories of actors-musicians.  https://seer.ufrgs.br/index.php/presenca/article/view/59705VoiceMotherTheaterNarratives of the SelfFoucault
spellingShingle Simone Nogueira Rasslan
Rosa Maria Bueno Fischer (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil)
Actor-Subjects, their Voice, and their Relationship with the Mother Figure
Revista Brasileira de Estudos da Presença
Voice
Mother
Theater
Narratives of the Self
Foucault
title Actor-Subjects, their Voice, and their Relationship with the Mother Figure
title_full Actor-Subjects, their Voice, and their Relationship with the Mother Figure
title_fullStr Actor-Subjects, their Voice, and their Relationship with the Mother Figure
title_full_unstemmed Actor-Subjects, their Voice, and their Relationship with the Mother Figure
title_short Actor-Subjects, their Voice, and their Relationship with the Mother Figure
title_sort actor subjects their voice and their relationship with the mother figure
topic Voice
Mother
Theater
Narratives of the Self
Foucault
url https://seer.ufrgs.br/index.php/presenca/article/view/59705
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