De l’Un à l’autre, et d’un autre à l’Autre : le passage de la scène à l’écran chez Samuel Beckett, Harold Pinter et Mike Leigh
This article will examine the status (and potential porosity) of the border between drama and film, focusing specifically on Samuel Beckett, Harold Pinter and Mike Leigh. These dramatists’ concern for the representation of the invisible and of a lurking menace arising from an Other with enigmatic an...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2015-05-01
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| Series: | Études Britanniques Contemporaines |
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| Online Access: | http://journals.openedition.org/ebc/2117 |