The trade in Far Eastern Art in Berlin during the Weimar Republic (1918-1933)

The trade in Far Eastern objects of art and consequently the establishment of an art market in Europe originated with the Dutch Verenigde Oostindische Compagnie (V.O.C.) in the seventeenth century. In Berlin during the period from 1850 to 1870, East Asian art was often sold in conjunction with other...

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Main Author: Patrizia Jirka-Schmitz
Format: Article
Language:English
Published: Forum Kunst und Markt 2018-09-01
Series:Journal for Art Market Studies
Subjects:
Online Access:https://fokum-jams.org/index.php/jams/article/view/57
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author Patrizia Jirka-Schmitz
author_facet Patrizia Jirka-Schmitz
author_sort Patrizia Jirka-Schmitz
collection DOAJ
description The trade in Far Eastern objects of art and consequently the establishment of an art market in Europe originated with the Dutch Verenigde Oostindische Compagnie (V.O.C.) in the seventeenth century. In Berlin during the period from 1850 to 1870, East Asian art was often sold in conjunction with other goods from the Far East that were referred to as “colonial”, such as tea. At the turn of the twentieth century, the initially more popular Japanese art had passed its zenith in Germany, as elsewhere in Western countries, and interest gradually turned to Chinese art. Dealers began to adjust to the changes in taste, establishing galleries in boomtown Berlin which offered Chinese art, based on greater knowledge acquired on personal journeys to China. The article outlines the activities by four main Berlin dealers in Japanese and Chinese art: Theodor Bohlken, Edgar Worch, Otto Burchard and Felix Tikotin, before focusing on the highlights of the market turnover of Far Eastern art in Berlin’s boom years between 1927 and 1929.
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spelling doaj.art-830996c21c4340d8b1e992e0c3bbc2692022-12-21T23:35:12ZengForum Kunst und MarktJournal for Art Market Studies2511-76022018-09-012310.23690/jams.v2i3.5744The trade in Far Eastern Art in Berlin during the Weimar Republic (1918-1933)Patrizia Jirka-SchmitzThe trade in Far Eastern objects of art and consequently the establishment of an art market in Europe originated with the Dutch Verenigde Oostindische Compagnie (V.O.C.) in the seventeenth century. In Berlin during the period from 1850 to 1870, East Asian art was often sold in conjunction with other goods from the Far East that were referred to as “colonial”, such as tea. At the turn of the twentieth century, the initially more popular Japanese art had passed its zenith in Germany, as elsewhere in Western countries, and interest gradually turned to Chinese art. Dealers began to adjust to the changes in taste, establishing galleries in boomtown Berlin which offered Chinese art, based on greater knowledge acquired on personal journeys to China. The article outlines the activities by four main Berlin dealers in Japanese and Chinese art: Theodor Bohlken, Edgar Worch, Otto Burchard and Felix Tikotin, before focusing on the highlights of the market turnover of Far Eastern art in Berlin’s boom years between 1927 and 1929.https://fokum-jams.org/index.php/jams/article/view/57Asian artBerlin art trade
spellingShingle Patrizia Jirka-Schmitz
The trade in Far Eastern Art in Berlin during the Weimar Republic (1918-1933)
Journal for Art Market Studies
Asian art
Berlin art trade
title The trade in Far Eastern Art in Berlin during the Weimar Republic (1918-1933)
title_full The trade in Far Eastern Art in Berlin during the Weimar Republic (1918-1933)
title_fullStr The trade in Far Eastern Art in Berlin during the Weimar Republic (1918-1933)
title_full_unstemmed The trade in Far Eastern Art in Berlin during the Weimar Republic (1918-1933)
title_short The trade in Far Eastern Art in Berlin during the Weimar Republic (1918-1933)
title_sort trade in far eastern art in berlin during the weimar republic 1918 1933
topic Asian art
Berlin art trade
url https://fokum-jams.org/index.php/jams/article/view/57
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