«The Future of Humans in a Post-Human World»: <em>Frankissstein</em> by Jeanette Winterson

 Frankissstein: A Love Story, Jeanette Winterson's 2019 novel, is a mirror transposition of Mary Shelley’s Frankenstein. The novel adumbrates a posthuman or transhuman life to be lived “forever as brain emulation” (Winterson 2020, 104). What was traditionally known as the human being is now re...

Full description

Bibliographic Details
Main Author: Fausto Ciompi
Format: Article
Language:English
Published: UNICApress 2022-11-01
Series:Between
Subjects:
Online Access:https://ojs.unica.it/index.php/between/article/view/5161
_version_ 1827882037092024320
author Fausto Ciompi
author_facet Fausto Ciompi
author_sort Fausto Ciompi
collection DOAJ
description  Frankissstein: A Love Story, Jeanette Winterson's 2019 novel, is a mirror transposition of Mary Shelley’s Frankenstein. The novel adumbrates a posthuman or transhuman life to be lived “forever as brain emulation” (Winterson 2020, 104). What was traditionally known as the human being is now required to transcend biology through “better biology” (ibid. 113), i.e., Artificial Intelligence.  Assuming that homo sapiens is not a special case, an ontology that transcends the human/nonhuman divide is proposed in Winterson’s story by scientist Victor Stein. He assumes that we can develop our brain software through learning, including outsourcing to machines, until we learn to share the planet with “non biological forms created by us” (ibid. 73). This delineates a utopian dimension in which the relationship between self, other and power is reworked so that as, in Donna Haraway’s words, there is “agency ...without defended subjects” (Haraway 1991, 3). Or, in other words, a world in which the cyborgification (the fusion of nature and culture/technology) is seen as inevitable and there is no need to ‘defend’ nature. With further lines of thought, my paper explores the metaphorical fields (parallel worlds, simulacra) and narrative devices (metalepsis, alternating montage, internal parallelism) that underpin this story. My point is that the attempted fusion of nature and technology, as theorised by techno-scientists in Winterson’s story, only produces a modification in the attitude of some unaugmented humans towards other unaugmented humans, both living and dead. Eventually humans are not cyborgs, nor inforgs, nor full-blown transhumans but boundary creatures straddling alternative ontologies and often acting as less than humans, infrahumans or, like transexual Ry Shelley, “inappropriate others” (Haraway 1992).
first_indexed 2024-03-12T18:49:44Z
format Article
id doaj.art-831bfcf7a16c408fbf2f190ba0db1eca
institution Directory Open Access Journal
issn 2039-6597
language English
last_indexed 2024-03-12T18:49:44Z
publishDate 2022-11-01
publisher UNICApress
record_format Article
series Between
spelling doaj.art-831bfcf7a16c408fbf2f190ba0db1eca2023-08-02T07:19:49ZengUNICApressBetween2039-65972022-11-01122410.13125/2039-6597/5161«The Future of Humans in a Post-Human World»: <em>Frankissstein</em> by Jeanette WintersonFausto Ciompi0University of Pisa  Frankissstein: A Love Story, Jeanette Winterson's 2019 novel, is a mirror transposition of Mary Shelley’s Frankenstein. The novel adumbrates a posthuman or transhuman life to be lived “forever as brain emulation” (Winterson 2020, 104). What was traditionally known as the human being is now required to transcend biology through “better biology” (ibid. 113), i.e., Artificial Intelligence.  Assuming that homo sapiens is not a special case, an ontology that transcends the human/nonhuman divide is proposed in Winterson’s story by scientist Victor Stein. He assumes that we can develop our brain software through learning, including outsourcing to machines, until we learn to share the planet with “non biological forms created by us” (ibid. 73). This delineates a utopian dimension in which the relationship between self, other and power is reworked so that as, in Donna Haraway’s words, there is “agency ...without defended subjects” (Haraway 1991, 3). Or, in other words, a world in which the cyborgification (the fusion of nature and culture/technology) is seen as inevitable and there is no need to ‘defend’ nature. With further lines of thought, my paper explores the metaphorical fields (parallel worlds, simulacra) and narrative devices (metalepsis, alternating montage, internal parallelism) that underpin this story. My point is that the attempted fusion of nature and technology, as theorised by techno-scientists in Winterson’s story, only produces a modification in the attitude of some unaugmented humans towards other unaugmented humans, both living and dead. Eventually humans are not cyborgs, nor inforgs, nor full-blown transhumans but boundary creatures straddling alternative ontologies and often acting as less than humans, infrahumans or, like transexual Ry Shelley, “inappropriate others” (Haraway 1992). https://ojs.unica.it/index.php/between/article/view/5161Jeannette WintersonSpeculative fictionFrankissteinTranshumanPosthumanSimulacra
spellingShingle Fausto Ciompi
«The Future of Humans in a Post-Human World»: <em>Frankissstein</em> by Jeanette Winterson
Between
Jeannette Winterson
Speculative fiction
Frankisstein
Transhuman
Posthuman
Simulacra
title «The Future of Humans in a Post-Human World»: <em>Frankissstein</em> by Jeanette Winterson
title_full «The Future of Humans in a Post-Human World»: <em>Frankissstein</em> by Jeanette Winterson
title_fullStr «The Future of Humans in a Post-Human World»: <em>Frankissstein</em> by Jeanette Winterson
title_full_unstemmed «The Future of Humans in a Post-Human World»: <em>Frankissstein</em> by Jeanette Winterson
title_short «The Future of Humans in a Post-Human World»: <em>Frankissstein</em> by Jeanette Winterson
title_sort the future of humans in a post human world em frankissstein em by jeanette winterson
topic Jeannette Winterson
Speculative fiction
Frankisstein
Transhuman
Posthuman
Simulacra
url https://ojs.unica.it/index.php/between/article/view/5161
work_keys_str_mv AT faustociompi thefutureofhumansinaposthumanworldemfrankisssteinembyjeanettewinterson