From the rubble to the pregnancy of words: José Saramago and Gonçalo Tavares in symbolic dialogues

José Saramago and Gonçalo M. Tavares display contrasting narratives. Perhaps almost opposite to each other. One is Baroque, ornate. The other is economical, rough. While Saramago has as inde­lible mark the presence of an excessive, demiurge narrator, Tavares chooses a drier, less digressive literatu...

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Main Author: Paulo Ricardo Kralik Angelini
Format: Article
Language:Portuguese
Published: Universidade Federal Fluminense 2012-12-01
Series:Gragoatá
Subjects:
Online Access:http://www.gragoata.uff.br/index.php/gragoata/article/view/102
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author Paulo Ricardo Kralik Angelini
author_facet Paulo Ricardo Kralik Angelini
author_sort Paulo Ricardo Kralik Angelini
collection DOAJ
description José Saramago and Gonçalo M. Tavares display contrasting narratives. Perhaps almost opposite to each other. One is Baroque, ornate. The other is economical, rough. While Saramago has as inde­lible mark the presence of an excessive, demiurge narrator, Tavares chooses a drier, less digressive literature, with short, strong blowing sentences. Meanwhile, there is a less read (and studied) José Saramago prior to the discovery of his Narrator introduced in 1980. It’s the narrative voice of O ano de 1993, which offers an apocalyptic setting, resembling the literary work of Um homem: Klaus Klump. The two narrators build texts that share equal symbolism, in particular relating to the defacement of space, to collapse, to chaos in times of war. Under the light of the studies of the Ima­ginary, inspired by Gilbert Durand and Gaston Bachelard, this article explores spatial destruction and recurrent and, at times, complementary ima­gery perceptible in O ano de 1993 and Um home: Klaus Klump.
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spelling doaj.art-835ce1517c6a407aa86b179f4522a78f2022-12-21T19:06:28ZporUniversidade Federal FluminenseGragoatá1413-90732358-41142012-12-01173381From the rubble to the pregnancy of words: José Saramago and Gonçalo Tavares in symbolic dialoguesPaulo Ricardo Kralik Angelini0Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)José Saramago and Gonçalo M. Tavares display contrasting narratives. Perhaps almost opposite to each other. One is Baroque, ornate. The other is economical, rough. While Saramago has as inde­lible mark the presence of an excessive, demiurge narrator, Tavares chooses a drier, less digressive literature, with short, strong blowing sentences. Meanwhile, there is a less read (and studied) José Saramago prior to the discovery of his Narrator introduced in 1980. It’s the narrative voice of O ano de 1993, which offers an apocalyptic setting, resembling the literary work of Um homem: Klaus Klump. The two narrators build texts that share equal symbolism, in particular relating to the defacement of space, to collapse, to chaos in times of war. Under the light of the studies of the Ima­ginary, inspired by Gilbert Durand and Gaston Bachelard, this article explores spatial destruction and recurrent and, at times, complementary ima­gery perceptible in O ano de 1993 and Um home: Klaus Klump.http://www.gragoata.uff.br/index.php/gragoata/article/view/102espaçoteorias do imagináriosímbolonarradorguerra
spellingShingle Paulo Ricardo Kralik Angelini
From the rubble to the pregnancy of words: José Saramago and Gonçalo Tavares in symbolic dialogues
Gragoatá
espaço
teorias do imaginário
símbolo
narrador
guerra
title From the rubble to the pregnancy of words: José Saramago and Gonçalo Tavares in symbolic dialogues
title_full From the rubble to the pregnancy of words: José Saramago and Gonçalo Tavares in symbolic dialogues
title_fullStr From the rubble to the pregnancy of words: José Saramago and Gonçalo Tavares in symbolic dialogues
title_full_unstemmed From the rubble to the pregnancy of words: José Saramago and Gonçalo Tavares in symbolic dialogues
title_short From the rubble to the pregnancy of words: José Saramago and Gonçalo Tavares in symbolic dialogues
title_sort from the rubble to the pregnancy of words jose saramago and goncalo tavares in symbolic dialogues
topic espaço
teorias do imaginário
símbolo
narrador
guerra
url http://www.gragoata.uff.br/index.php/gragoata/article/view/102
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