Fumetto et fascisme : la naissance de la bande dessinée italienne
The comic-inspired American arrives in Europe in the 30s. Those new illustrated work transform edition for youth. Parallel to the importation of U.S. comics, a specific production emerge in each country. The fumetto is born in 1932 with the title of editor Lotario Vecchi, Jumbo. Other titles like To...
| Main Author: | |
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| Format: | Article |
| Language: | English |
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Université Paris XIII
2013-03-01
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| Series: | Comicalités |
| Subjects: | |
| Online Access: | http://journals.openedition.org/comicalites/1306 |
| _version_ | 1819123730924699648 |
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| author | Isabelle Antonutti |
| author_facet | Isabelle Antonutti |
| author_sort | Isabelle Antonutti |
| collection | DOAJ |
| description | The comic-inspired American arrives in Europe in the 30s. Those new illustrated work transform edition for youth. Parallel to the importation of U.S. comics, a specific production emerge in each country. The fumetto is born in 1932 with the title of editor Lotario Vecchi, Jumbo. Other titles like Topolino published by Arnoldo Mondadori, The Avventuroso by Nerbini. The fumetto is a great success with young readers, but it is quickly under the pressure of censorship fascist. The content of comic faces political and educational requisits, like all italian media. The state assigns a mission of indoctrination. These magazines follow without much hesitation codes fascists and American strips are retouched. Publishers can maintain a relative freedom of publication until the late 30s. |
| first_indexed | 2024-12-22T07:13:00Z |
| format | Article |
| id | doaj.art-83c57bc0ffe04f3daada4466c128a57b |
| institution | Directory Open Access Journal |
| issn | 2117-4911 |
| language | English |
| last_indexed | 2024-12-22T07:13:00Z |
| publishDate | 2013-03-01 |
| publisher | Université Paris XIII |
| record_format | Article |
| series | Comicalités |
| spelling | doaj.art-83c57bc0ffe04f3daada4466c128a57b2022-12-21T18:34:27ZengUniversité Paris XIIIComicalités2117-49112013-03-01Fumetto et fascisme : la naissance de la bande dessinée italienneIsabelle AntonuttiThe comic-inspired American arrives in Europe in the 30s. Those new illustrated work transform edition for youth. Parallel to the importation of U.S. comics, a specific production emerge in each country. The fumetto is born in 1932 with the title of editor Lotario Vecchi, Jumbo. Other titles like Topolino published by Arnoldo Mondadori, The Avventuroso by Nerbini. The fumetto is a great success with young readers, but it is quickly under the pressure of censorship fascist. The content of comic faces political and educational requisits, like all italian media. The state assigns a mission of indoctrination. These magazines follow without much hesitation codes fascists and American strips are retouched. Publishers can maintain a relative freedom of publication until the late 30s.http://journals.openedition.org/comicalites/1306censurecomicsculture de massedivertissementfascismefumetto |
| spellingShingle | Isabelle Antonutti Fumetto et fascisme : la naissance de la bande dessinée italienne Comicalités censure comics culture de masse divertissement fascisme fumetto |
| title | Fumetto et fascisme : la naissance de la bande dessinée italienne |
| title_full | Fumetto et fascisme : la naissance de la bande dessinée italienne |
| title_fullStr | Fumetto et fascisme : la naissance de la bande dessinée italienne |
| title_full_unstemmed | Fumetto et fascisme : la naissance de la bande dessinée italienne |
| title_short | Fumetto et fascisme : la naissance de la bande dessinée italienne |
| title_sort | fumetto et fascisme la naissance de la bande dessinee italienne |
| topic | censure comics culture de masse divertissement fascisme fumetto |
| url | http://journals.openedition.org/comicalites/1306 |
| work_keys_str_mv | AT isabelleantonutti fumettoetfascismelanaissancedelabandedessineeitalienne |