L’eta ‘farrobiana’: caratteristiche e tendenze della vita musicale della Lisbona liberale (1833-1853)
The article describes some of the peculiar features of Lisbon’s musical life from 1834 to 1853. Its special amateurish ‘hypertrophy’ and the extreme corporativism of professional musicians, in the context of a complex coexistence of nationalist and xenophiles tendencies, are read in light of the cha...
| Main Author: | |
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| Format: | Article |
| Language: | Spanish |
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University of Bologna
2010-12-01
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| Series: | Confluenze |
| Subjects: | |
| Online Access: | http://confluenze.unibo.it/article/view/2009 |
| _version_ | 1831799670159966208 |
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| author | Francesco Esposito |
| author_facet | Francesco Esposito |
| author_sort | Francesco Esposito |
| collection | DOAJ |
| description | The article describes some of the peculiar features of Lisbon’s musical life from 1834 to 1853. Its special amateurish ‘hypertrophy’ and the extreme corporativism of professional musicians, in the context of a complex coexistence of nationalist and xenophiles tendencies, are read in light of the changes resulting from the turbulent but definitive victory of liberalism and considering, as well, the central role in Lisbon’s musical and theatrical activity played by the greatest capitalist and patron of the arts in the 19th century, the Count of Farrobo. |
| first_indexed | 2024-12-22T17:49:30Z |
| format | Article |
| id | doaj.art-842c476990c748fda14c5a282fa700e3 |
| institution | Directory Open Access Journal |
| issn | 2036-0967 |
| language | Spanish |
| last_indexed | 2024-12-22T17:49:30Z |
| publishDate | 2010-12-01 |
| publisher | University of Bologna |
| record_format | Article |
| series | Confluenze |
| spelling | doaj.art-842c476990c748fda14c5a282fa700e32022-12-21T18:18:12ZspaUniversity of BolognaConfluenze2036-09672010-12-012225427110.6092/issn.2036-0967/20091903L’eta ‘farrobiana’: caratteristiche e tendenze della vita musicale della Lisbona liberale (1833-1853)Francesco Esposito0Centro de Estudos de Sociologia e Estética Musical Universidade Nova de Lisboa - CESEMThe article describes some of the peculiar features of Lisbon’s musical life from 1834 to 1853. Its special amateurish ‘hypertrophy’ and the extreme corporativism of professional musicians, in the context of a complex coexistence of nationalist and xenophiles tendencies, are read in light of the changes resulting from the turbulent but definitive victory of liberalism and considering, as well, the central role in Lisbon’s musical and theatrical activity played by the greatest capitalist and patron of the arts in the 19th century, the Count of Farrobo.http://confluenze.unibo.it/article/view/2009Count of FarroboLiberalismmusical amateurish associationsmusical corporativismnational opera |
| spellingShingle | Francesco Esposito L’eta ‘farrobiana’: caratteristiche e tendenze della vita musicale della Lisbona liberale (1833-1853) Confluenze Count of Farrobo Liberalism musical amateurish associations musical corporativism national opera |
| title | L’eta ‘farrobiana’: caratteristiche e tendenze della vita musicale della Lisbona liberale (1833-1853) |
| title_full | L’eta ‘farrobiana’: caratteristiche e tendenze della vita musicale della Lisbona liberale (1833-1853) |
| title_fullStr | L’eta ‘farrobiana’: caratteristiche e tendenze della vita musicale della Lisbona liberale (1833-1853) |
| title_full_unstemmed | L’eta ‘farrobiana’: caratteristiche e tendenze della vita musicale della Lisbona liberale (1833-1853) |
| title_short | L’eta ‘farrobiana’: caratteristiche e tendenze della vita musicale della Lisbona liberale (1833-1853) |
| title_sort | l eta farrobiana caratteristiche e tendenze della vita musicale della lisbona liberale 1833 1853 |
| topic | Count of Farrobo Liberalism musical amateurish associations musical corporativism national opera |
| url | http://confluenze.unibo.it/article/view/2009 |
| work_keys_str_mv | AT francescoesposito letafarrobianacaratteristicheetendenzedellavitamusicaledellalisbonaliberale18331853 |