Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal

The following essay retraces the genre development and correlations of three 1980s hard rock subgenres: glam metal, sleaze metal and hair metal. This issue is considered, primarily, with reference to the theory of hegemonic and non-hegemonic masculinities developed by Raewyn Connell and reviewed aga...

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Main Author: Celina Jeray
Format: Article
Language:English
Published: Institute of English Studies 2021-09-01
Series:Anglica. An International Journal of English Studies
Subjects:
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author Celina Jeray
author_facet Celina Jeray
author_sort Celina Jeray
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description The following essay retraces the genre development and correlations of three 1980s hard rock subgenres: glam metal, sleaze metal and hair metal. This issue is considered, primarily, with reference to the theory of hegemonic and non-hegemonic masculinities developed by Raewyn Connell and reviewed against the theory of genre development by Jennifer C. Lena and Richard A. Peterson. Both theories are employed in order to underline the subtle differences between the subgenres, arguably linked to the masculinities performed by the artists’ assumed stage personas. Aside from the scholarly references, the research includes various interviews with the artists and music journalists, an analysis of over a hundred song lyrics and the vast repertoire of visual arts accompanying the music.
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spelling doaj.art-8504b5d17e2c46ed9b5cb59636587fa22025-01-02T02:18:14ZengInstitute of English StudiesAnglica. An International Journal of English Studies0860-57342021-09-0130117119010.7311/0860-5734.30.1.11Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair MetalCelina Jeray0https://orcid.org/0000-0003-2389-1419University of WrocławThe following essay retraces the genre development and correlations of three 1980s hard rock subgenres: glam metal, sleaze metal and hair metal. This issue is considered, primarily, with reference to the theory of hegemonic and non-hegemonic masculinities developed by Raewyn Connell and reviewed against the theory of genre development by Jennifer C. Lena and Richard A. Peterson. Both theories are employed in order to underline the subtle differences between the subgenres, arguably linked to the masculinities performed by the artists’ assumed stage personas. Aside from the scholarly references, the research includes various interviews with the artists and music journalists, an analysis of over a hundred song lyrics and the vast repertoire of visual arts accompanying the music.heavy metalnon-hegemonic masculinityglam metalsleaze metalhair metalmusic historygenre theory
spellingShingle Celina Jeray
Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal
Anglica. An International Journal of English Studies
heavy metal
non-hegemonic masculinity
glam metal
sleaze metal
hair metal
music history
genre theory
title Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal
title_full Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal
title_fullStr Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal
title_full_unstemmed Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal
title_short Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal
title_sort sex dr a gs and rock n roll diverse masculinities of glam metal sleaze metal and hair metal
topic heavy metal
non-hegemonic masculinity
glam metal
sleaze metal
hair metal
music history
genre theory
work_keys_str_mv AT celinajeray sexdragsandrocknrolldiversemasculinitiesofglammetalsleazemetalandhairmetal