La fuerza expresiva del deseo en Lan Yu de Stanley Kwan .

Stanley Kwan's Lan Yu configures the emergence of homosexuality in contemporary China far beyond its validation in recognizably Western identitarian terms: the affirmation of an existing but misrecognized minority population; the defense of sexual "perversion"; the positing of sexual...

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Main Author: David L. Eng
Format: Article
Language:English
Published: Universidad de los Andes 2007-12-01
Series:Revista de Estudios Sociales
Online Access:http://China;neoliberalism;colonialism;capitalistmodernity;socialistmodernity;homosexuality;queerness;desire.
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author David L. Eng
author_facet David L. Eng
author_sort David L. Eng
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description Stanley Kwan's Lan Yu configures the emergence of homosexuality in contemporary China far beyond its validation in recognizably Western identitarian terms: the affirmation of an existing but misrecognized minority population; the defense of sexual "perversion"; the positing of sexual freedom, legal recognition, and political rights; the justification of a bourgeois consumer lifestyle, or even the expression of a universalizing and bindingtove bringing togethertwo abstract individuáis. Instead, in Kwan's film, homosexuality and its expressive desire mark the emergence of a new humanism in (post)socialist China under the shadows of global capitalism and neoliberal development. Gays and lesbians, that is, are harbingers of a new modernity, helping to situate China in its proper place within a cosmopolitan globalized world. From this perspective, homosexuality functions as a critical tool for organizing and evaluating the historical continuities and ruptures among China's (semi)colonial past, its revolutionary aspirations for a socialist modernity, and its present investments in a neoliberal capitalist world order.
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spelling doaj.art-8526cb61c254419c9d8965114e3fa3db2022-12-22T03:33:01ZengUniversidad de los AndesRevista de Estudios Sociales0123-885X1900-51802007-12-0128104117La fuerza expresiva del deseo en Lan Yu de Stanley Kwan .David L. EngStanley Kwan's Lan Yu configures the emergence of homosexuality in contemporary China far beyond its validation in recognizably Western identitarian terms: the affirmation of an existing but misrecognized minority population; the defense of sexual "perversion"; the positing of sexual freedom, legal recognition, and political rights; the justification of a bourgeois consumer lifestyle, or even the expression of a universalizing and bindingtove bringing togethertwo abstract individuáis. Instead, in Kwan's film, homosexuality and its expressive desire mark the emergence of a new humanism in (post)socialist China under the shadows of global capitalism and neoliberal development. Gays and lesbians, that is, are harbingers of a new modernity, helping to situate China in its proper place within a cosmopolitan globalized world. From this perspective, homosexuality functions as a critical tool for organizing and evaluating the historical continuities and ruptures among China's (semi)colonial past, its revolutionary aspirations for a socialist modernity, and its present investments in a neoliberal capitalist world order.China;neoliberalism;colonialism;capitalistmodernity;socialistmodernity;homosexuality;queerness;desire.
spellingShingle David L. Eng
La fuerza expresiva del deseo en Lan Yu de Stanley Kwan .
Revista de Estudios Sociales
title La fuerza expresiva del deseo en Lan Yu de Stanley Kwan .
title_full La fuerza expresiva del deseo en Lan Yu de Stanley Kwan .
title_fullStr La fuerza expresiva del deseo en Lan Yu de Stanley Kwan .
title_full_unstemmed La fuerza expresiva del deseo en Lan Yu de Stanley Kwan .
title_short La fuerza expresiva del deseo en Lan Yu de Stanley Kwan .
title_sort la fuerza expresiva del deseo en lan yu de stanley kwan
url http://China;neoliberalism;colonialism;capitalistmodernity;socialistmodernity;homosexuality;queerness;desire.
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