“The True Forme of Love”: Transforming the Petrarchan Tradition in the Poetry of Lady Mary Wroth (1587–1631)

The following article deals with the transformation of the Petrachan idea of love in the work of Lady Mary Wroth (1587-1631), the first woman poet to write a secular sonnet sequence in English literature, Pamphilia to Amphilanthus. The author of the article discusses the literary and historical cont...

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Main Author: Jajtner Tomáš
Format: Article
Language:English
Published: Charles University 2016-07-01
Series:Prague Journal of English Studies
Subjects:
Online Access:https://doi.org/10.1515/pjes-2016-0001
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author Jajtner Tomáš
author_facet Jajtner Tomáš
author_sort Jajtner Tomáš
collection DOAJ
description The following article deals with the transformation of the Petrachan idea of love in the work of Lady Mary Wroth (1587-1631), the first woman poet to write a secular sonnet sequence in English literature, Pamphilia to Amphilanthus. The author of the article discusses the literary and historical context of the work, the position of female poets in early modern England and then focuses on the main differences in Wroth’s treatment of the topic of heterosexual love: the reversal of gender roles, i.e., the woman being the “active” speaker of the sonnets; the de-objectifying of the lover and the perspective of love understood not as a possessive power struggle, but as an experience of togetherness, based on the gradual interpenetration of two equal partners.
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spelling doaj.art-853a649b12dc4aca828caeb5184bf8f02024-04-02T13:45:13ZengCharles UniversityPrague Journal of English Studies2336-26852016-07-015192610.1515/pjes-2016-0001pjes-2016-0001“The True Forme of Love”: Transforming the Petrarchan Tradition in the Poetry of Lady Mary Wroth (1587–1631)Jajtner Tomáš0Assistant Professor of English literature at the English Department at the Faculty of Arts, University of South Bohemia in Česke BudějoviceThe following article deals with the transformation of the Petrachan idea of love in the work of Lady Mary Wroth (1587-1631), the first woman poet to write a secular sonnet sequence in English literature, Pamphilia to Amphilanthus. The author of the article discusses the literary and historical context of the work, the position of female poets in early modern England and then focuses on the main differences in Wroth’s treatment of the topic of heterosexual love: the reversal of gender roles, i.e., the woman being the “active” speaker of the sonnets; the de-objectifying of the lover and the perspective of love understood not as a possessive power struggle, but as an experience of togetherness, based on the gradual interpenetration of two equal partners.https://doi.org/10.1515/pjes-2016-0001renaissance english literaturelady mary wrothpetrarchanismconcept of lovewomen’s poetry
spellingShingle Jajtner Tomáš
“The True Forme of Love”: Transforming the Petrarchan Tradition in the Poetry of Lady Mary Wroth (1587–1631)
Prague Journal of English Studies
renaissance english literature
lady mary wroth
petrarchanism
concept of love
women’s poetry
title “The True Forme of Love”: Transforming the Petrarchan Tradition in the Poetry of Lady Mary Wroth (1587–1631)
title_full “The True Forme of Love”: Transforming the Petrarchan Tradition in the Poetry of Lady Mary Wroth (1587–1631)
title_fullStr “The True Forme of Love”: Transforming the Petrarchan Tradition in the Poetry of Lady Mary Wroth (1587–1631)
title_full_unstemmed “The True Forme of Love”: Transforming the Petrarchan Tradition in the Poetry of Lady Mary Wroth (1587–1631)
title_short “The True Forme of Love”: Transforming the Petrarchan Tradition in the Poetry of Lady Mary Wroth (1587–1631)
title_sort the true forme of love transforming the petrarchan tradition in the poetry of lady mary wroth 1587 1631
topic renaissance english literature
lady mary wroth
petrarchanism
concept of love
women’s poetry
url https://doi.org/10.1515/pjes-2016-0001
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