From Quotation to Appropriation. Conceptual Practices in the 1960s and 1970s in Italy
Since the last decades of the twentieth century, appropriation has been one of the main approaches of contemporary artistic research and a well-established practice. The materials of these practices are objects, as well as images and artworks. In Italy, since the end of the 1960s, these practices ha...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
University of Bologna
2019-12-01
|
| Series: | Cinergie |
| Subjects: | |
| Online Access: | https://cinergie.unibo.it/article/view/9760 |
| _version_ | 1823995378224070656 |
|---|---|
| author | Cristina Casero |
| author_facet | Cristina Casero |
| author_sort | Cristina Casero |
| collection | DOAJ |
| description | Since the last decades of the twentieth century, appropriation has been one of the main approaches of contemporary artistic research and a well-established practice. The materials of these practices are objects, as well as images and artworks. In Italy, since the end of the 1960s, these practices have emerged within the experiences of conceptual art, aimed at investigating the nature of the image and its characteristics. This essay focuses on some researches that, as case studies, show specific features related to these practices and not to the traditional approach of quotation. |
| first_indexed | 2024-12-18T16:47:20Z |
| format | Article |
| id | doaj.art-854f682f9c79458b971351aa992e60ee |
| institution | Directory Open Access Journal |
| issn | 2280-9481 |
| language | English |
| last_indexed | 2024-12-18T16:47:20Z |
| publishDate | 2019-12-01 |
| publisher | University of Bologna |
| record_format | Article |
| series | Cinergie |
| spelling | doaj.art-854f682f9c79458b971351aa992e60ee2022-12-21T21:01:00ZengUniversity of BolognaCinergie2280-94812019-12-0181615116210.6092/issn.2280-9481/97608568From Quotation to Appropriation. Conceptual Practices in the 1960s and 1970s in ItalyCristina Casero0University of ParmaSince the last decades of the twentieth century, appropriation has been one of the main approaches of contemporary artistic research and a well-established practice. The materials of these practices are objects, as well as images and artworks. In Italy, since the end of the 1960s, these practices have emerged within the experiences of conceptual art, aimed at investigating the nature of the image and its characteristics. This essay focuses on some researches that, as case studies, show specific features related to these practices and not to the traditional approach of quotation.https://cinergie.unibo.it/article/view/9760appropriation artphotographyconceptual artitalysixtiesseventies |
| spellingShingle | Cristina Casero From Quotation to Appropriation. Conceptual Practices in the 1960s and 1970s in Italy Cinergie appropriation art photography conceptual art italy sixties seventies |
| title | From Quotation to Appropriation. Conceptual Practices in the 1960s and 1970s in Italy |
| title_full | From Quotation to Appropriation. Conceptual Practices in the 1960s and 1970s in Italy |
| title_fullStr | From Quotation to Appropriation. Conceptual Practices in the 1960s and 1970s in Italy |
| title_full_unstemmed | From Quotation to Appropriation. Conceptual Practices in the 1960s and 1970s in Italy |
| title_short | From Quotation to Appropriation. Conceptual Practices in the 1960s and 1970s in Italy |
| title_sort | from quotation to appropriation conceptual practices in the 1960s and 1970s in italy |
| topic | appropriation art photography conceptual art italy sixties seventies |
| url | https://cinergie.unibo.it/article/view/9760 |
| work_keys_str_mv | AT cristinacasero fromquotationtoappropriationconceptualpracticesinthe1960sand1970sinitaly |