Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion Capture
Techniques based on motion capture can be useful in analyzing a wide range of musical styles and practices: in this case, Transylvanian village music. We focused on a repertoire known as ‘Gypsy songs of sorrow’, played by professional Gypsy musicians during parties and celebrations of their own comm...
Main Authors: | , , |
---|---|
Format: | Article |
Language: | English |
Published: |
The Ohio State University Libraries
2016-01-01
|
Series: | Empirical Musicology Review |
Subjects: | |
Online Access: | https://doi.org/10.18061/emr.v10i4.4891 |
_version_ | 1818457602171863040 |
---|---|
author | Filippo Bonini-Baraldi Emmanuel Bigand Thierry Pozzo |
author_facet | Filippo Bonini-Baraldi Emmanuel Bigand Thierry Pozzo |
author_sort | Filippo Bonini-Baraldi |
collection | DOAJ |
description | Techniques based on motion capture can be useful in analyzing a wide range of musical styles and practices: in this case, Transylvanian village music. We focused on a repertoire known as ‘Gypsy songs of sorrow’, played by professional Gypsy musicians during parties and celebrations of their own community. Two parameters were the object of study: rhythmic duration, and synchronization between musicians (a violinist and a viola player). Results show that rhythm is a local variant of aksak and is based on two duration units (S=short, L=long) which respect the formula 2:3 < S:L < 3:4. Performances are characterized by large variations of the S:L ratio from period to period, which have an expressive function. Tracking the bow’s movements with motion capture techniques allowed to show that these variations are related to a swinging interpretation, which also involves a voluntary asynchrony between the two musicians. |
first_indexed | 2024-12-14T22:45:10Z |
format | Article |
id | doaj.art-858432bd087c46fea4e86e5aa2af7a8c |
institution | Directory Open Access Journal |
issn | 1559-5749 |
language | English |
last_indexed | 2024-12-14T22:45:10Z |
publishDate | 2016-01-01 |
publisher | The Ohio State University Libraries |
record_format | Article |
series | Empirical Musicology Review |
spelling | doaj.art-858432bd087c46fea4e86e5aa2af7a8c2022-12-21T22:44:52ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492016-01-0110426529110.18061/emr.v10i4.4891Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion CaptureFilippo Bonini-Baraldi0Emmanuel Bigand1Thierry Pozzo2Ethnomusicology Institute (INET-md), FCSH, Universidade NOVA de LisboaCNRS UMR 5022, Research Laboratory on Learning and Development, Université Bourgogne FrancheComtéINSERM-U1093, Université Bourgogne Franche-ComtéTechniques based on motion capture can be useful in analyzing a wide range of musical styles and practices: in this case, Transylvanian village music. We focused on a repertoire known as ‘Gypsy songs of sorrow’, played by professional Gypsy musicians during parties and celebrations of their own community. Two parameters were the object of study: rhythmic duration, and synchronization between musicians (a violinist and a viola player). Results show that rhythm is a local variant of aksak and is based on two duration units (S=short, L=long) which respect the formula 2:3 < S:L < 3:4. Performances are characterized by large variations of the S:L ratio from period to period, which have an expressive function. Tracking the bow’s movements with motion capture techniques allowed to show that these variations are related to a swinging interpretation, which also involves a voluntary asynchrony between the two musicians.https://doi.org/10.18061/emr.v10i4.4891Ethnomusicologygesturemotion captureaksaksynchronization |
spellingShingle | Filippo Bonini-Baraldi Emmanuel Bigand Thierry Pozzo Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion Capture Empirical Musicology Review Ethnomusicology gesture motion capture aksak synchronization |
title | Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion Capture |
title_full | Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion Capture |
title_fullStr | Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion Capture |
title_full_unstemmed | Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion Capture |
title_short | Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion Capture |
title_sort | measuring aksak rhythm and synchronization in transylvanian village music by using motion capture |
topic | Ethnomusicology gesture motion capture aksak synchronization |
url | https://doi.org/10.18061/emr.v10i4.4891 |
work_keys_str_mv | AT filippoboninibaraldi measuringaksakrhythmandsynchronizationintransylvanianvillagemusicbyusingmotioncapture AT emmanuelbigand measuringaksakrhythmandsynchronizationintransylvanianvillagemusicbyusingmotioncapture AT thierrypozzo measuringaksakrhythmandsynchronizationintransylvanianvillagemusicbyusingmotioncapture |